James T. Cleland - "What's Past Is Prologue" (May 20, 1962)
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Transcript
Transcripts may contain inaccuracies.
(gentle upbeat music) | 0:03 | |
Man | Let us pray. | 0:29 |
"Let the words of my mouth | 0:32 | |
and the meditations of our hearts be acceptable | 0:35 | |
in thy sight. | 0:39 | |
Oh Lord our strength and our redeemer. | 0:41 | |
Amen." | 0:46 | |
At such an academic time as this | 0:57 | |
on the day before final exams | 1:03 | |
on the Eve of Waterloo, | 1:07 | |
when no one wants to hear anything new | 1:13 | |
or even anything at all, | 1:17 | |
what does one speak about? | 1:21 | |
Let me think out loud with you, | 1:28 | |
particularly with you who are graduating | 1:31 | |
about some of the things behind you and some of the things | 1:38 | |
ahead of you. | 1:43 | |
Now it's most unlikely that any of you | 1:45 | |
is going to Washington DC | 1:48 | |
as a graduation present. | 1:51 | |
Paris, | 1:55 | |
Honolulu, | 1:57 | |
Timbuktu | 1:59 | |
are more likely ports of call | 2:01 | |
in this era of unbelievable transportation. | 2:04 | |
It's so easy to be anywhere | 2:10 | |
at any time | 2:12 | |
nowadays, | 2:14 | |
even before the second world war | 2:17 | |
Amherst College had to pass a rule | 2:20 | |
that the reading period could not be taken in Bermuda. | 2:24 | |
But come with me a figure from another generation | 2:32 | |
to Washington, | 2:36 | |
we shall look at only one building | 2:39 | |
and we won't even go inside. | 2:43 | |
If we were to enter, | 2:47 | |
we would see the declaration of independence, | 2:50 | |
the constitution, | 2:54 | |
the bill of rights, | 2:56 | |
Washington's letter announcing the victory at Yorktown, | 2:59 | |
his inaugural address of 1789, | 3:05 | |
the original that is. | 3:10 | |
For the building is the national archives, | 3:13 | |
but we won't cross its threshold, | 3:16 | |
we shall just stand for a moment to two on the sidewalk | 3:20 | |
outside the Pennsylvania Avenue doorway, | 3:26 | |
and look at two massive | 3:31 | |
seated figures, | 3:34 | |
which flank the Portico. | 3:37 | |
One is named the past, | 3:40 | |
the other | 3:43 | |
is named the future. | 3:45 | |
That's all I want you to look at. | 3:47 | |
Now having looked, | 3:51 | |
let us ruminate about them. | 3:54 | |
The statue on the left as we look toward the building | 3:58 | |
is of a female figure, | 4:02 | |
young | 4:05 | |
and fair of countenance. | 4:07 | |
She is lifting her eyes from the pages of an open book | 4:11 | |
and gazing almost with intensity | 4:16 | |
into the future. | 4:20 | |
She represents | 4:23 | |
the future. | 4:26 | |
Now this is the statue | 4:29 | |
for some of us, | 4:32 | |
the past | 4:35 | |
we've had it. | 4:37 | |
It isn't merely graduation that we look forward to, | 4:40 | |
the completion of a course of training | 4:44 | |
with some degree of efficiency. | 4:47 | |
What we yearn for is commencement. | 4:50 | |
A chance to start in on something on our own, | 4:54 | |
in which words like independence | 4:59 | |
and emancipation | 5:03 | |
and enlargement | 5:06 | |
give some inkling of what we expect. | 5:09 | |
We're glad we live in an age and in a country | 5:14 | |
which is always on the go, | 5:18 | |
which works wonders and passes miracles | 5:22 | |
as part of the routine of life, | 5:25 | |
space and rocketry | 5:29 | |
and moonshots | 5:32 | |
and open heart surgery | 5:33 | |
and electron microscopes. | 5:36 | |
No wonder that lady statue | 5:39 | |
gazes with profound contemplation into the future, | 5:42 | |
oh, there are some disadvantages and frustration. | 5:47 | |
It is true that we can have breakfast in London | 5:53 | |
and dinner in San Francisco | 5:56 | |
and our luggage will be in Buenos Aires. | 5:59 | |
But it's much worse than breakfast in Boston | 6:04 | |
and dinner in Washington with our luggage in Hoboken. | 6:08 | |
So some of us are glad to escape from school, | 6:15 | |
when we say goodbye, | 6:20 | |
it's not with the original denotation of the word, | 6:22 | |
God be with you. | 6:26 | |
Goodbye is going to mean good riddance. | 6:29 | |
I once asked a boy in prep school | 6:34 | |
if he would send his son to that prep school, | 6:37 | |
he furrowed his brow for a few moments | 6:43 | |
and then said in a hesitating way, | 6:47 | |
"Yes, | 6:51 | |
if I hated him enough." | 6:53 | |
And so we move out | 6:58 | |
glad to depart | 7:00 | |
without a backward look, | 7:03 | |
we even have our scripture text ready to quote, | 7:06 | |
"Let the dead bury the dead." | 7:10 | |
It was Jesus who said that. | 7:15 | |
He's our man | 7:18 | |
on occasion, | 7:21 | |
especially in sayings out of context, | 7:23 | |
like it has been said, | 7:26 | |
but I say | 7:28 | |
unto you. | 7:30 | |
So off we go looking toward the exciting future | 7:32 | |
full of enthusiasm and forgetfulness. | 7:36 | |
And it's hard to blame us. | 7:40 | |
If we are going to worship a graven image | 7:42 | |
that female at the archives building | 7:46 | |
seems to have as good a claim on us as their name. | 7:48 | |
It's exciting to ride on the crest of the wave | 7:53 | |
of the future, | 7:58 | |
but there is the other statue on the right. | 8:01 | |
It is an aged male figure | 8:06 | |
with the closed book of history on his knees. | 8:08 | |
He gazes down the corridors of time, retrospectively. | 8:13 | |
He represents | 8:19 | |
the past. | 8:21 | |
Now this is the statue for others of us, | 8:25 | |
the past | 8:29 | |
we like it. | 8:31 | |
We just as leaf stay with it. | 8:33 | |
Our theme song comes from a musical comedy of the 20s, | 8:37 | |
after commencement what are we gonna commence? | 8:42 | |
The past we know the past is secure, | 8:49 | |
therefore the past we love | 8:51 | |
and would continue. | 8:55 | |
One can see that in so many areas, | 8:58 | |
Amherst College has just brought out a report. | 9:01 | |
The question | 9:06 | |
of size. | 9:08 | |
The question is how big should Amherst be? | 9:10 | |
The almost unanimous answer from the alumni | 9:16 | |
given with vehemence was, | 9:19 | |
keep Amherst small. | 9:22 | |
I understand the reaction, | 9:27 | |
I taught there when there were 600 students | 9:30 | |
and 75 faculty members. | 9:35 | |
I liked it. | 9:39 | |
But 30 years later | 9:43 | |
with population explosions | 9:46 | |
and pressures for more people in college. | 9:48 | |
The second question to the alumni is, | 9:51 | |
how big | 9:55 | |
is small? | 9:56 | |
How big is small? | 9:59 | |
Do you know the official Amherst answer, | 10:02 | |
small in 1962 | 10:06 | |
is twice as big as it was in 1932. | 10:10 | |
This is academic inflation | 10:17 | |
and the old alumni grown. | 10:21 | |
No one hears this question and answer | 10:26 | |
with a different slant at Duke, | 10:28 | |
keep Duke and North Carolina School | 10:31 | |
are a provincial college, except in athletics. | 10:35 | |
Now something like that is also true in other walks of life. | 10:43 | |
A daughter of the American revolution has been cruelly, | 10:49 | |
but not untruthfully described | 10:54 | |
as a whack who fought in the revolution | 10:57 | |
probably on the wrong side. | 11:00 | |
The past has it devotees. | 11:06 | |
Have we never long to escape to the protection of childhood? | 11:09 | |
I remember the house where I was born, | 11:14 | |
the little window where the sun came peeping in at morn, | 11:19 | |
yet I wonder if it is remembered with understanding, | 11:27 | |
perhaps it is by an Englishman, | 11:31 | |
but an American | 11:35 | |
centrally heated, | 11:38 | |
air conditioned, | 11:39 | |
concertedly lighted, | 11:41 | |
couldn't stand that 18 century cottage of Thomas Hood, | 11:44 | |
now probably his own needful loved cabin | 11:49 | |
in Brooklyn or Richmond or Durham. | 11:53 | |
And yet there are those of us | 11:56 | |
who think that only the past is immortal. | 11:58 | |
They are often the darlings of the alumni office, | 12:03 | |
though the despair of the precedent. | 12:07 | |
Now this group too has its biblical text. | 12:11 | |
I am the God of Abraham, | 12:14 | |
Isaac | 12:17 | |
and Jacob, | 12:19 | |
and probably of Mr. Washington, | 12:20 | |
no hardly of Mr Lincoln, but maybe of Mr. Eisenhower. | 12:23 | |
And so some of you leave us walking backwards | 12:29 | |
because you would rather see where you had been | 12:34 | |
than where you may have to go. | 12:37 | |
You know I wonder why the sculptor | 12:41 | |
made the statue of the past | 12:45 | |
a male figure. | 12:48 | |
There's something to ponder. | 12:51 | |
We look with me once more at these two statues | 12:55 | |
comprehending both at a single glance | 12:59 | |
and noting, particularly the motto under each. | 13:01 | |
Under the male figure | 13:07 | |
with his ex post facto look | 13:08 | |
are three words, | 13:12 | |
study the past. | 13:14 | |
Now the imperative is not that we accept the past | 13:18 | |
or immortalize it or worship it. | 13:24 | |
It commands us to continue that good work, | 13:29 | |
which any reputable school or college | 13:35 | |
should have begun in us. | 13:38 | |
It is the essence of wisdom | 13:42 | |
to know the past. | 13:46 | |
It was Santayana who pointed out that, | 13:49 | |
he who does not know the past | 13:52 | |
is condemned to repeat it. | 13:56 | |
And John Buchan, Lord Tweedsmuir | 14:01 | |
has in his autobiography, | 14:04 | |
a sentence worth thinking of along with that of Santayana, | 14:06 | |
if the past | 14:12 | |
to a man is nothing but a dead hand, | 14:14 | |
then in common honesty, | 14:20 | |
he up to be an advocate of revolution. | 14:22 | |
But our statue says nothing about | 14:29 | |
either keeping or discarding the past. | 14:31 | |
It suggests that | 14:35 | |
we study it, | 14:39 | |
that we continue to study it, | 14:41 | |
for it is good for us to know the rock | 14:46 | |
whence we have been hewn | 14:50 | |
and the pit from which we have been digged. | 14:53 | |
Under the female figure with her in anticipation look, | 15:00 | |
are five words. | 15:04 | |
What is past | 15:08 | |
is prologue, | 15:10 | |
plucked from act two, | 15:13 | |
scene one | 15:15 | |
of the Tempest | 15:17 | |
where most texts render it, | 15:19 | |
what's past | 15:21 | |
is prologue. | 15:23 | |
What's past is preface. | 15:25 | |
What's past is introduction. | 15:28 | |
What's past is the over cure. | 15:32 | |
What's past is the valued | 15:35 | |
at the turn of the century. | 15:38 | |
H. G. Wells couched the idea in hunting words, | 15:41 | |
"The past | 15:47 | |
is but the beginning | 15:49 | |
of a beginning | 15:53 | |
and all that is | 15:56 | |
and has been, | 15:58 | |
but the twilight | 16:01 | |
of the dawn." | 16:03 | |
Now there's an interesting juxtaposition of words, | 16:05 | |
the twilight | 16:08 | |
of the dawn. | 16:11 | |
You see what I'm getting at? | 16:14 | |
Stand far enough back | 16:16 | |
on the sidewalk of Pennsylvania Avenue | 16:19 | |
so that you may see both statues at once. | 16:23 | |
Either alone is no guide for youth. | 16:28 | |
He who looks merely to the past may become the (indistinct) | 16:34 | |
is really defined as | 16:40 | |
one who practices the blunders of his predecessors. | 16:42 | |
She who concentrates on the future | 16:49 | |
may discover to use a fishermen, similarly from John Buchan. | 16:52 | |
If your back cast | 16:57 | |
is poor, | 17:00 | |
your forward cast | 17:02 | |
will be a mess. | 17:05 | |
Those of you who fish know that. | 17:08 | |
If your back cast is poor, | 17:11 | |
your forward cast | 17:13 | |
will be a mess. | 17:16 | |
The wise man is like Janus, | 17:18 | |
the two headed god who looked both ways at once. | 17:21 | |
His present embraces the backward and the forward look. | 17:25 | |
Now Jesus the Christ had something wise | 17:31 | |
to say about all this | 17:33 | |
in the Sermon on the Mount. | 17:35 | |
If there was one document which signified to the Jew, | 17:39 | |
the honorable glory of his inheritance, | 17:44 | |
it was the law, | 17:50 | |
the Torah, | 17:53 | |
the covenant between Yahweh and his people. | 17:55 | |
There was a second document of almost equal value. | 17:59 | |
The prophets, in fact sometimes the Hebrew word Torah | 18:02 | |
covers both the law and the prophets. | 18:07 | |
Now notice what Jesus said about the Torah. | 18:11 | |
Think not | 18:16 | |
that I am come to destroy | 18:18 | |
the law or the prophets. | 18:21 | |
I am not come to destroy, | 18:26 | |
but to fulfill, | 18:31 | |
I know is what he said and what he did not say. | 18:34 | |
He was not come to a know the Torah. | 18:39 | |
He was not one to cut loose | 18:45 | |
from his past. | 18:48 | |
He studied | 18:51 | |
the past. | 18:53 | |
Yet on the other hand, | 18:56 | |
he did not say that he had come to keep the law. | 18:58 | |
He did not keep the law. | 19:05 | |
The Romans may have put him to death for treason, | 19:09 | |
but the rulers of the Jews | 19:14 | |
considered the cause to be blasphemy. | 19:16 | |
Acting contrary to the requirements of God | 19:21 | |
and claiming the sanction of God for his behavior. | 19:26 | |
Jesus chose a third position regarding the law. | 19:31 | |
He came to | 19:36 | |
fulfill it. | 19:39 | |
Now fulfill | 19:41 | |
is a tricky word. | 19:44 | |
It cannot mean to implement | 19:49 | |
the intent of | 19:52 | |
each and every | 19:54 | |
given law in Torah, | 19:57 | |
because sometimes he did a know the law. | 19:59 | |
How is resist not evil, | 20:05 | |
the fulfillment of an eye for an eye | 20:09 | |
and a tooth for a tooth, | 20:13 | |
it's contrary to an eye for an eye and a tooth for a tooth. | 20:16 | |
Jesus is moving along the line of development in the law, | 20:23 | |
that's true, | 20:27 | |
but he is making a tremendous jump | 20:29 | |
when he enunciates his own teaching, | 20:33 | |
he uses the traditional past as a springboard | 20:36 | |
into the future. | 20:41 | |
As he leaps from external obedience | 20:44 | |
to our written code, | 20:49 | |
to internal understanding | 20:52 | |
of the will of God | 20:55 | |
who is like a father | 20:58 | |
in all relations with one's fellows. | 21:01 | |
In one sense, Jesus enunciated no law. | 21:05 | |
He described the relationship between God and man, | 21:12 | |
in terms of the character of God, | 21:17 | |
then he asked, | 21:20 | |
what does that imply? | 21:22 | |
For today, | 21:25 | |
for tomorrow, | 21:27 | |
for the day after. | 21:30 | |
Fulfillment is his word for an understanding | 21:33 | |
and appreciation of the evolution of the legal covenant | 21:39 | |
in such a way that the interpretation | 21:45 | |
and the consequent action | 21:49 | |
were in line with the daily behavior of a God | 21:52 | |
thought-of as a father, | 21:57 | |
not as a judge, | 22:00 | |
be it therefore perfect | 22:04 | |
as your father which is in heaven | 22:08 | |
is perfect. | 22:12 | |
What's past is prologue. | 22:15 | |
It is not contrary to the play, | 22:19 | |
but it is not the play. | 22:22 | |
Jesus was no revolutionist. | 22:25 | |
He did not counsel the overthrow of the past. | 22:29 | |
Jesus was a radical. | 22:35 | |
He went to the root meaning of the covenant | 22:39 | |
between God and man. | 22:43 | |
Then he taught or first he lived | 22:47 | |
and then he taught his interpretation of it. | 22:50 | |
And a Christian seeks to do the same thing. | 22:55 | |
Now there's no time for me to spell this out for you, | 23:01 | |
with regard to the school or our country | 23:05 | |
or your own attitude to religion, | 23:10 | |
your school is rooted and grounded, | 23:15 | |
but in what is it so established | 23:20 | |
and should it be. | 23:25 | |
John Buchan said of the United States. | 23:31 | |
She starts from the right basis, | 23:34 | |
for she combines a firm grip of the past | 23:39 | |
with a quick sense of present needs | 23:45 | |
and a bold outlook on the future. | 23:49 | |
He wrote that in 1940, | 23:54 | |
is it an accurate diagnosis? | 24:01 | |
Is it still true? | 24:05 | |
Jesus once made a promise to any who believed on him, | 24:11 | |
greater works than these, | 24:17 | |
shall he do? | 24:22 | |
Do we believe it? | 24:26 | |
Do we know what he did | 24:30 | |
so that we may know where to begin? | 24:33 | |
Have these two statues, | 24:39 | |
something to say to us about education | 24:40 | |
and patriotism | 24:44 | |
and religion, | 24:47 | |
would they have evoked an affirmative response | 24:49 | |
from our Lord? | 24:55 | |
Come back with me to Washington for one more look. | 25:00 | |
A passenger in a taxi | 25:07 | |
passing the national archives building, | 25:09 | |
asked the driver what the words were | 25:12 | |
beneath the female figure with the book. | 25:15 | |
He was told | 25:19 | |
the past | 25:21 | |
is prologue. | 25:23 | |
He asked the driver what the words meant | 25:26 | |
and he received the shrewd reply, | 25:30 | |
you ain't seen nothing yet. | 25:33 | |
You ain't seen nothing yet. | 25:39 | |
Now we may take that literally | 25:44 | |
and be even more foolish than we think the driver is. | 25:47 | |
Or we may grasp | 25:52 | |
its intent and find here | 25:55 | |
a secularized version of what Jesus called | 25:59 | |
the good news | 26:04 | |
of the kingdom of God, | 26:06 | |
which kingdom may not be of this world, | 26:11 | |
but which is seen in this world | 26:17 | |
and which can be | 26:23 | |
within each one | 26:26 | |
of us. | 26:29 | |
Amen. | 26:34 | |
Let us pray. | 26:35 |
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