Theodore O. Wedel - "Why Do I Have to Be Me?" (April 24, 1960)
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Transcript
Transcripts may contain inaccuracies.
- | I've chosen as the title for this morning meditation, | 0:24 |
"Why Do I Have To Be Me?" | 0:28 | |
I was once a professor of English | 0:30 | |
and I'm quite aware of the fact | 0:33 | |
that I'm violating textbook grammar here. | 0:34 | |
It ought to read, "Why Do I Have To Be I?" | 0:38 | |
But I'm sure that the colloquial version of it | 0:42 | |
will be more familiar to us, | 0:46 | |
"Why Do I Have To Be Me?" | 0:48 | |
And as text I'm choosing the opening verses of | 0:51 | |
one of our more familiar Psalms, the 100th Psalm, | 0:55 | |
often sung in a liturgical worship as the jubilate. | 0:58 | |
O be joyful in the Lord, all ye lands, | 1:03 | |
serve the Lord with gladness | 1:06 | |
and come before his presence with a song. | 1:08 | |
Know ye that the Lord He is God. | 1:11 | |
It is He that has made us and not we ourselves. | 1:13 | |
And I caught a particular attention to the second verse. | 1:19 | |
Know ye that the Lord, He is God. | 1:23 | |
It is He that has made us and not we ourselves. | 1:26 | |
Observers of child life can tell us that | 1:32 | |
one of the earliest philosophical or religious questions | 1:34 | |
asked by the growing boy or girl is, "Who am I?" | 1:39 | |
It is a question which may remain unanswered through life, | 1:45 | |
even a centenarian could still ask it. | 1:48 | |
Not only do we ask who am I, but why am I? | 1:53 | |
Or to put it in climactic form | 1:58 | |
and to phrase it now colloquially, | 2:00 | |
why do I have to be me? | 2:02 | |
why am I what I am? | 2:05 | |
Why am I not someone else? | 2:07 | |
Indeed the great mystery of creation, | 2:13 | |
who it is that created you and me, created the universe, | 2:19 | |
how everything or anything came to existence | 2:25 | |
can puzzle all experts. | 2:27 | |
But however an answer was attempted | 2:30 | |
by the atheist or the agnostic | 2:32 | |
assigning the first cause to chance | 2:35 | |
or to meeting this fate | 2:38 | |
or by the man of religious faith | 2:40 | |
who assigns of course the cause to a creator, God. | 2:43 | |
One simple fact stands clear, | 2:48 | |
and here the atheist and the Christian | 2:51 | |
in some sense unite. | 2:54 | |
We all know that we did not create ourselves, | 2:56 | |
we had no choice in the creative act | 3:00 | |
which brought us onto this stage of human life, | 3:02 | |
we are as it were simply thrown into existence. | 3:05 | |
By no choice of our own, | 3:10 | |
in fact, we are simply here. | 3:12 | |
In addition, we know ourselves to be somehow responsible now | 3:15 | |
for what we do with this here, with his I, with this me. | 3:19 | |
Is it a gift or is it a burden? | 3:25 | |
Now here and there a man or a woman may be found | 3:29 | |
who is altogether satisfied with what fate or chance | 3:32 | |
or God has thus hurled | 3:36 | |
into the maelstrom of ongoing history. | 3:39 | |
But I would suggest that such satisfaction is rare. | 3:42 | |
If it were a universal experience, envy and jealousy | 3:46 | |
would never appear on the social scene, | 3:50 | |
and we should see a return to the garden of Eden. | 3:54 | |
And as we do envy our neighbors, | 3:58 | |
we do ask, why do I have to be me? | 4:01 | |
Why just to take myself for an example, why was I born | 4:04 | |
in a humble little village on the windswept | 4:08 | |
plains of Kansas that nobody ever heard of, | 4:12 | |
a portion of the goal for what you almost have to apologize | 4:17 | |
at least when you're in Boston? | 4:22 | |
(congregation laughs) | 4:24 | |
Yeah, why was I born there instead of precisely | 4:27 | |
on Beacon Street, Boston on a lovely | 4:29 | |
marvelous home in Virginia. | 4:33 | |
Or to generalize a bit, why was I given an ugly nose | 4:38 | |
instead of the features of Campos Apollo? | 4:42 | |
Or why, supposing that I am known as a handsome cavalier, | 4:46 | |
did whoever heard me into the world | 4:49 | |
not give me brains as well? | 4:51 | |
Or to put it over again, | 4:56 | |
supposing that I do have a grand mind and | 4:58 | |
Fiva de Capa is just sure ahead, | 5:01 | |
why am I awkward at a dance and sad sight at a party? | 5:05 | |
Well, this questioning of the created order | 5:10 | |
and particularly our place in it | 5:13 | |
once received classic expression | 5:16 | |
in one of the sonnets of Shakespeare. | 5:17 | |
He's describing a mood in a situation | 5:20 | |
when things have gone wrong with circumstance and fate, | 5:22 | |
a mood which I'm sure we all share at one time or another. | 5:25 | |
When in disgrace with fortune and men's eyes, | 5:31 | |
I all alone beweep my outcast state | 5:35 | |
and trouble deaf heaven with my bootless cries | 5:42 | |
and look upon myself and curse my fate, | 5:45 | |
wishing me like to one more rich in hope, | 5:48 | |
featured like him, | 5:51 | |
like him with friends possessed, | 5:52 | |
desiring this man's art and that man's scope, | 5:55 | |
with what I most enjoy contented least. | 6:00 | |
Yes, but whenever this question, | 6:05 | |
"Why do I have to be me?" arises in our heart and mind, | 6:06 | |
do we realize what we really say? | 6:09 | |
We are expressing though we may not be aware | 6:12 | |
of the awesome fact, | 6:14 | |
hatred of the power that created us. | 6:16 | |
We are rebelling against God. | 6:20 | |
It is he that has made us and not we ourselves, | 6:22 | |
and we do not like His handiwork. | 6:27 | |
He is to blame, | 6:30 | |
and we refuse to give Him for what He has done to us. | 6:32 | |
Now, these hatred often submerged in and not acknowledged, | 6:38 | |
but still there, | 6:42 | |
this hatred of the power that has made us what we are | 6:43 | |
concerns first of all, the circumstances | 6:48 | |
that surround our life, | 6:50 | |
place of birth, economic condition, | 6:52 | |
biological inheritance. | 6:57 | |
As I can hail my addictions | 7:00 | |
on my creator, on this God. | 7:01 | |
When there is added then, | 7:04 | |
the result of my own decisions in the form of | 7:05 | |
a burden of guilt, | 7:08 | |
every human being has a burden of guilt, | 7:10 | |
this hatred can include myself also. | 7:14 | |
Man can hate both God and himself. | 7:18 | |
Now, this rebellion and hatred can assume many forms. | 7:24 | |
I ventured to describe briefly three such ways of rebellion. | 7:27 | |
The first is the most familiar. | 7:32 | |
It is the attempt to lose this me, | 7:34 | |
which I do not like in the life of the senses. | 7:38 | |
I may try, for example, to drown it in alcohol. | 7:42 | |
I can forget myself for a little while, at least, | 7:45 | |
in a world of illusions and dreams. | 7:48 | |
I shall not be here very long anyway, | 7:52 | |
why should I take this vanishing I on me very seriously? | 7:55 | |
Let us eat, let us drink, for tomorrow we die. | 7:58 | |
The results of this way of rebellion, | 8:03 | |
I should not dwell on here, | 8:05 | |
skid row or the boredom of the luxury hotel | 8:07 | |
there isn't much to choose. | 8:11 | |
Indeed we have a whole book in the Bible, | 8:14 | |
the book isn't read too often, | 8:17 | |
but I think in coming to its own and our own day, | 8:19 | |
the book known as Ecclesiastes, | 8:21 | |
which sings the doom of this way of escape, | 8:24 | |
vanity of vanities, all is vanity. | 8:27 | |
Now, the second way of rebellion which I wanna mention | 8:32 | |
is the equally ancient way | 8:36 | |
that is known as the way of the stoic, | 8:38 | |
the faith of the stoic. | 8:40 | |
I did not create myself, its is true, | 8:43 | |
blind fate had me in its grip, | 8:46 | |
this power however will be fooled. | 8:50 | |
I possess a citadel in my will, | 8:53 | |
which neither God or devil or fate or chance can conquer. | 8:55 | |
I am in final trial, captain of my fate, | 9:00 | |
I am master of my soul. | 9:03 | |
I can be my own God, | 9:06 | |
the creator of my own destiny, | 9:08 | |
I can defy the power of the very stars, | 9:11 | |
I can by way of climactic defiance, | 9:15 | |
commit suicide. | 9:19 | |
I did not tie my beginning, but I can tie my end. | 9:21 | |
It is indeed a fact of history that suicide | 9:27 | |
has been a kind of last sacrament of the stoic | 9:29 | |
from the days of the Roman emperors unto our own. | 9:32 | |
Now stoicism, | 9:38 | |
we can readily confess has its moral hero. | 9:40 | |
There is quite possibly | 9:44 | |
no rival the Christianity more appealing. | 9:45 | |
It is again today, a fashionable creed | 9:49 | |
under the name of atheist existentialism. | 9:51 | |
Pardon my use that big word, it's popular on campuses. | 9:54 | |
All right, we might as well use it, | 10:02 | |
it's one of the big things today, | 10:04 | |
and it's really, | 10:09 | |
I sometimes think existentialism is simply | 10:11 | |
the old stoic face dressed up in | 10:15 | |
or entails, you know, a wonderful customer of some sort. | 10:17 | |
To defy the universe, to defy fate, | 10:23 | |
be these under the rule of God are only a blind chance, | 10:27 | |
rebellion and self deification can go no farther. | 10:31 | |
But this stoic faith, like all idolatry, | 10:36 | |
finds a broken idol at the end of the road. | 10:39 | |
No human being is great enough to play God for very long. | 10:42 | |
Even the suicide cannot escape the fear | 10:47 | |
that the power of which had creation under control, | 10:49 | |
just might refuse to hand control of the end | 10:53 | |
of existence also. | 10:57 | |
The Bible, I still speak truth, | 11:00 | |
know ye, the Lord, He is God. | 11:03 | |
Indeed I'm tempted to hear, | 11:08 | |
even though it involves a little irreverent language | 11:09 | |
to tell a story that I have heard told about Mark Twain. | 11:13 | |
At the time when the famous poem known as the "Invictus" | 11:18 | |
was first published, | 11:22 | |
you know, out of the night that | 11:24 | |
covers me black as the pit | 11:26 | |
from pole to pole, | 11:28 | |
I think whatever gods there be for my unconquerable soul, | 11:30 | |
I am the master of my fate, | 11:33 | |
I am the captain of my soul. | 11:34 | |
Came out about 1900 and Mark Twain | 11:37 | |
heard a friend reciting it, so the story goes. | 11:39 | |
And he turned him and said, "What? | 11:43 | |
You the master of your fate, | 11:45 | |
you the captain of your soul? | 11:47 | |
The hell you are." | 11:49 | |
(congregation laughs) | 11:51 | |
Now, a third form of rebellion | 11:55 | |
against the creator can be tried. | 11:57 | |
Why do I have to be me? | 12:00 | |
Perhaps after all I don't. | 12:04 | |
I can turn myself into another I or another me. | 12:06 | |
I can pretend, | 12:11 | |
I can wear a mask, | 12:13 | |
I can try the art of imitation, | 12:15 | |
I can obey the siren voices of the advertiser | 12:18 | |
on my television set | 12:21 | |
and transform myself into a glamor girl | 12:23 | |
or a man with distinction | 12:25 | |
by buying the right cosmetics or the right clothes | 12:27 | |
or drinking the right whiskey. | 12:30 | |
Eric from one of our leading psychiatric specialist | 12:34 | |
has coined a striking phrase | 12:36 | |
to describe this escape from reality | 12:38 | |
and the rebellion against our created self. | 12:41 | |
The phrase is the commercial self. | 12:44 | |
Thousands of men and women | 12:49 | |
are selling their birthright as persons | 12:50 | |
so as to become sham merchandise on the market. | 12:54 | |
Now, do I need to describe the revenge which life provides | 12:59 | |
for this rebellion against him who has made us | 13:03 | |
and not we ourselves, | 13:06 | |
to play a bit with the analogy of the mask. | 13:09 | |
To wear a mask, to wear a disguise | 13:12 | |
and a masked blow maybe innocent fun, | 13:15 | |
but to compel the self to wear it in broad daylight | 13:19 | |
and even in sleep | 13:22 | |
so as not to give a secret away | 13:24 | |
can turn into intolerable slavery. | 13:26 | |
The real creator God has been replaced by an idol. | 13:30 | |
And idol worship as a history of religion can illustrate | 13:34 | |
demands victims, human sacrifice, no less. | 13:39 | |
Dante and describing the hypocrites in his Inferno | 13:43 | |
and the hypocrite is in some sense, | 13:47 | |
is personal to the mask. | 13:49 | |
Pictures them as staggering and utter weariness | 13:52 | |
under recovering of lead. | 13:55 | |
"Oh, we remantle for eternity," he cries, | 13:57 | |
"In pity over such a fate." | 14:01 | |
Not only three attempts to rebellion against man's creator | 14:05 | |
have received here brief description, | 14:08 | |
there are others, but these may suffice, | 14:11 | |
they may serve as backdrop now for the gospel, | 14:14 | |
for the way of life of the Christian. | 14:18 | |
Why do I have to be me? | 14:22 | |
Can I not be somebody else? | 14:24 | |
One answer found in Christianity | 14:29 | |
may seem at first a very harsh one. | 14:30 | |
No, you can not be someone else. | 14:33 | |
"You cannot even," says Jesus, | 14:38 | |
"By being anxious, add one cubit to your stature. | 14:39 | |
You cannot be your own God. | 14:44 | |
Know ye that the Lord, He is God. | 14:47 | |
It is He then has made us and not we ourselves." | 14:51 | |
You can to be sure, turn to idols and rule them, | 14:55 | |
to offer escape from you created I or you created me, | 14:58 | |
but they will let you down. | 15:03 | |
You are an actor on a stage, | 15:05 | |
you need an action whose direction is in another's hand. | 15:06 | |
You may rebel against your role, | 15:12 | |
you may try to write a plot of your own invention, | 15:15 | |
but the play will have a short run. | 15:18 | |
But there's one way out. | 15:22 | |
It looks impossible or foolish or even cowardly at first. | 15:25 | |
It is the way of submission and surrender. | 15:30 | |
It is a miracle that happens | 15:34 | |
when an actor in place of rebelling against his role, | 15:35 | |
accepts it as a gift. | 15:39 | |
He is free at last on the burden of escape from self. | 15:46 | |
He can take off his mask and every mantle of pretense, | 15:51 | |
he can accept himself. | 15:55 | |
The Christian gospel believe in | 15:58 | |
telling that he can forgive himself | 15:59 | |
and thus shed the further burden of guilt. | 16:03 | |
You can begin to pray the Lord's prayer. | 16:08 | |
Not my kingdom, but thy kingdom, | 16:14 | |
not my will, but thy will, | 16:18 | |
I surrender. | 16:23 | |
Now, such surrender is never easy. | 16:26 | |
The Bible uses bold language to describe it. | 16:29 | |
It is learning to pray the Lord's Prayer, | 16:33 | |
the New Testament will call this it a dying, | 16:38 | |
a dying even realistically | 16:41 | |
symbolized in a sacramental action called baptism, | 16:43 | |
a dying which however has the promise of rising again. | 16:47 | |
Christians enter the Christian life | 16:51 | |
by way of a kind of suicide. | 16:55 | |
The Christians dying however, | 16:59 | |
is a joyous suicide, | 17:01 | |
different in kind from the bitter defiance | 17:03 | |
of the stoic rebel against God. | 17:06 | |
Indeed the answer of no to the question | 17:11 | |
of why do I have to be me | 17:14 | |
or can I not be somebody else? | 17:16 | |
Was only half true. | 17:18 | |
Christianity can also reply, yeah, | 17:21 | |
you can receive | 17:27 | |
and you so. | 17:29 | |
In the Bible we meet again, mysterious words. | 17:32 | |
It speaks of being born again, | 17:35 | |
it speaks of becoming a new creature in Christ Jesus. | 17:39 | |
Christianity's demand for the surrender of the self | 17:45 | |
to it's creator is however | 17:48 | |
not that's the render to attire and deity, | 17:52 | |
it is surrender to our Father, | 17:56 | |
or as it can be even more boldly phrased | 17:59 | |
surrender to our Lover. | 18:01 | |
The story of Revelation of the Bible | 18:04 | |
is precisely a love story. | 18:06 | |
The creator wooing his rebellious children | 18:09 | |
to return to him in love. | 18:15 | |
It is the breathtaking epic of God Himself visiting men | 18:20 | |
and breaking his proud self-will | 18:25 | |
by dying for him on a cross. | 18:28 | |
Nor does this wooing end with a story | 18:32 | |
of the Christ during his earthly life, | 18:35 | |
as a legacy of that life there exists in the world, | 18:38 | |
a strange society. | 18:42 | |
So strange, we don't realize how strange it is, | 18:44 | |
strange society called the church. | 18:48 | |
A society precisely of the surrendered and the reborn. | 18:51 | |
To site once more, the strange | 18:58 | |
and yet wonderful language of Christian faith, | 18:59 | |
those who have entered the new relationship | 19:03 | |
with the creator of God through Christ, | 19:05 | |
speak of themselves as having died with him | 19:07 | |
and risen with him. | 19:13 | |
And in this fellowship or the new born, | 19:17 | |
the question with which, | 19:20 | |
well, you've had difficulty with speech too | 19:26 | |
in your day I'm sure. | 19:29 | |
All right, the question with which | 19:32 | |
this sermon began is answered. | 19:34 | |
Why do I have to be me, | 19:38 | |
why should I accept myself as I am? | 19:41 | |
Because otherwise you will miss the wonder and glory | 19:45 | |
of being loved | 19:49 | |
for just what you are. | 19:52 | |
In family life we know this sure, | 19:56 | |
mother loves her baby | 20:00 | |
just as it is. | 20:02 | |
Can't change it anyway. | 20:06 | |
And in the Christian fellowship, | 20:10 | |
we discover this marvelous gift. | 20:11 | |
We can be accepted and loved as we are. | 20:14 | |
We can take off our masks. | 20:19 | |
Even if what is revealed behind the mask is ugly, | 20:23 | |
so ugly that you cannot bear the sight yourself | 20:27 | |
and cry out in shame for a hiding place, | 20:30 | |
yes as we do | 20:36 | |
in that wonderful hymn rock of ages cleft for me, | 20:37 | |
let me hide myself in thee. | 20:41 | |
There has been in the church, we can too, | 20:45 | |
but the kind of a hiding place which | 20:48 | |
accepts us then as we are. | 20:50 | |
Yes, we can discard our masks, | 20:55 | |
we here meet one who can endure the side | 20:59 | |
of just what we are. | 21:03 | |
Pascal, a great Christian of the 17th century once said that | 21:07 | |
if all the secrets thoughts have been were revealed, | 21:11 | |
there would not be four friends left in the world. | 21:13 | |
Pretty hard saying. | 21:18 | |
But there's one who can endure the sight, | 21:21 | |
there's the one who has made us, | 21:25 | |
who has died for us. | 21:29 | |
Indeed there is a fellowship which can enjoy the sight, | 21:33 | |
all the ones in rebellion, but suffered broken pride | 21:37 | |
under the wooing of a Christ in a manger, on a cross, | 21:40 | |
entered into the joy of surrender | 21:44 | |
and are now a fellowship of prodigal sons | 21:47 | |
returned to a father's home | 21:50 | |
and rejoicing in a banquet together, | 21:52 | |
here is a fellowship, | 21:56 | |
which in the face of tragedy and fate of suffering and death | 21:58 | |
can sing a hundred songs. | 22:02 | |
Oh, be joyful in the Lord all you lands, | 22:04 | |
serve a lot of gladness come before His presence | 22:07 | |
with a song. | 22:11 | |
Be sure that the Lord, He is God. | 22:14 | |
It is He that has made us and not we ourselves. | 22:17 | |
We are His people and the sheep of His pasture. | 22:20 | |
Oh, go your way into his gates | 22:24 | |
with Thanksgiving and into his courts with praise, | 22:26 | |
be thankful unto Him and speak good of His name. | 22:29 | |
Now, it may be a strange ending to a Christian sermon | 22:36 | |
to close with a quotation | 22:40 | |
that are more hammered in Qur'an, | 22:42 | |
but that classic of the religion of Islam | 22:45 | |
contains more than one site inspired by prophetic wrestling | 22:49 | |
with eternal truth. | 22:53 | |
The quotation reads as follows, | 22:56 | |
"From God, there is no flight, | 23:00 | |
but only unto Him." | 23:05 | |
A modern poet has taken this jewel phrase | 23:10 | |
and has added two further lines | 23:13 | |
and the resulting triplet | 23:16 | |
reads like a summary of the parable of the prodigal son, | 23:18 | |
greatest of the parables in our New Testament. | 23:23 | |
From God | 23:28 | |
there is no flight, | 23:30 | |
but only against unto Him. | 23:33 | |
Against a father's sternness, | 23:38 | |
no revolt of avail, | 23:42 | |
a child's soul refuge | 23:47 | |
is within His arm. | 23:51 | |
From God there is no flight, | 23:56 | |
but only unto Him. | 23:58 | |
Against the Father's sternness | 24:01 | |
no revolt avails, | 24:03 | |
a child soul refuge is within His arm. | 24:06 | |
Let us pray. | 24:14 | |
Almighty God, | 24:25 | |
infinite watch over the children of men, | 24:26 | |
before whom the generations rise and pass away. | 24:30 | |
Who my father's and father's fathers | 24:34 | |
have worshiped in lands across the seas, | 24:36 | |
whom our children and children's children will worship | 24:39 | |
perhaps in this very place | 24:44 | |
seeking as we seek to discover | 24:47 | |
the mystery of the thy ways with these sons of men, | 24:49 | |
granted we in our generation | 24:53 | |
may desire Thee, | 24:56 | |
and desiring these seek Thee | 24:58 | |
and seeking Thee, find Thee, | 25:01 | |
and having found Thee | 25:04 | |
may rest satisfied in Thee forever more. | 25:05 | |
Now, may the Lord bless us and keep us, | 25:10 | |
the Lord make His face to shine upon us | 25:13 | |
and be gracious unto us, | 25:15 | |
the Lord lift up His countenance upon us | 25:17 | |
and give us peace | 25:19 | |
both now and evermore. | 25:21 |
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