Toto Bissainthe; Société Nationale des Artistes Plasticiens Haïtiens
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- Title:
- Toto Bissainthe; Société Nationale des Artistes Plasticiens Haïtiens
- Speaker:
- Date:
- July 19, 1988
- Description:
-
Toto Bissainthe pale sou spektak li pral fè nan Triomphe lan, kote l ap chante mizik epi deklame tèks. Etzer Charles, Philippe Antoine, ak Jean Ménard Derenoncourt, ki se manm Société Nationale des Artistes Plasticiens Haïtiens (SNAPH), pale sou ekspozisyon la modèn yo pral monte nan Musée d'Art Haïtien, ak sou objektif ak aktivite SNAPH la.
Toto Bissainthe discusses her upcoming performance at the Triomphe, featuring both music and poetry. Etzer Charles, Philippe Antoine, and Jean Ménard Derenoncourt of the Société Nationale des Artistes Plasticiens Haïtiens (SNAPH) discuss their upcoming exhibition of modern art at the Musée d'Art Haïtien, and the goals and activities of SNAPH.
Toto Bissainthe présente son prochain spectacle au Triomphe, qui marie musique et poésie. Etzer Charles, Philippe Antoine et Jean Ménard Derenoncourt de la Société Nationale des Artistes Plasticiens Haïtiens (SNAPH) présentent leur prochaine exposition au Musée d'Art Haïtien consacrée à l'art moderne et les objectifs et les activités de SNAPH.
- Program Type:
- Interview
- Subject:
- Location:
- Language:
- Tape ID:
- RL10059CS0942
- Rights:
- Limited Re-UseCC BY-NC-SA 4.0
- Rights Note:
- This recording may contain material that was not originally created by Radio Haiti and therefore not covered by the Creative Commons license indicated here. For more information see https://repository.duke.edu/dc/radiohaiti/about#copyright.
- Digital Collection:
- Radio Haiti Archive
- Source Collection:
- Radio Haiti audio recordings, 1957-2003
- Identifier:
-
- f880936810abe87865ded2057ceaf3c4
- radiohaiti
- duke:552388
- RL10059-CS-0942_01
- ark:/87924/r4mp4zt1w
- cf5ed0b2-97ab-4a42-88ba-6aca60483417
- Permalink:
- https://idn.duke.edu/ark:/87924/r4mp4zt1w
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- Sponsor this Digital Collection
The preservation of the Duke University Libraries Digital Collections and the Duke Digital Repository programs are supported in part by the Lowell and Eileen Aptman Digital Preservation Fund