Howard C. Wilkinson - "Symbolic Speech" (August 4, 1968)

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-	Let's see, let's try it a bit faster, too,	0:04
	'cause it's driving.	0:08
-	Good.	0:09
	♪ Turn ♪	0:12
	Get that.	0:14
	♪ Turning, turning, turning ♪	0:15
	♪ Turning, turning ♪	0:17
	Sorry.	0:19
	♪ Turning, turning in the widening gyre ♪	0:20
	♪ The falcon, the ♪	0:27
-	Oh, fuck, okay.	0:29
	♪ Turning, turning in the widening gyre ♪	0:32
	♪ The falcon cannot hear the falconer ♪	0:39
	♪ Things fall apart, the center cannot hold ♪	0:45
	♪ Mere anarchy is loosed upon the world ♪	0:54
	Whoops.	1:00
	♪ The blood-dimmed tide is loosed ♪	1:02
	♪ And everywhere the ceremony of innocence is drowned. ♪	1:09
	Okay, Bret.	1:22
	What else is wrong with it?	1:26
-	I don't remember which part.	1:30
-	I don't know where it is.	1:32
	(writers speaking over each other)	1:35
	♪ The blood-dimmed tide ♪	1:38
	♪ Turning, turning ♪	1:40
-	That's a good read.	1:42
	♪ Turn, turning ♪	1:43
	It's right there.	1:47
	♪ Turning, turning ♪	1:49
	That's good. What do you wanna do?	1:52
	♪ Turning ♪	1:54
	♪ Turning, turning in the widening gyre ♪	1:59
	♪ The falcon cannot hear the falconer ♪	2:06
	♪ Things fall apart, the center cannot hold ♪	2:12
	♪ Mere anarchy is loosed upon the world ♪	2:20
	♪ The blood-dimmed tide ♪	2:28
	♪ The blood-dimmed tide ♪	2:32
	♪ The blood-dimmed tide is loosed ♪	2:37
	♪ And everywhere the ceremony of innocence is drowned ♪	2:44
-	It's still too-	2:55
	♪ The blood-dimmed tide ♪	2:57
	♪ Turning, turning, turning ♪	3:00
-	Wait, do the blood-dimmed tide.	3:03
	♪ The blood-dimmed tide ♪	3:05
	You wanna do it?	3:10
-	Okay.	3:11
-	Do it again.
	♪ The blood-dimmed tide ♪	3:13
-	Blood dimmed tide.	3:18
-	It's something out of,	3:19
	I'm just calling you about it.	3:21
-	Okay.	3:23
	♪ Turning, turning, turning in the widening gyre ♪	3:26
	♪ The falcon cannot hear the falconer ♪	3:35
	♪ Things fall apart, the center cannot hold ♪	3:41
	♪ Mere anarchy is loosed upon the world ♪	3:49
	♪ The blood-dimmed tide is loosed ♪	3:56
	♪ And everywhere the ceremony of innocence is drowned ♪	4:03
-	That's pretty innocent.	4:14
-	That's what I call conviction.	4:21
	While the words are full of passionate intensity.	4:24
	That's what it says here, Gage wrote that.	4:28
-	I didn't, I didn't, I didn't.	4:30
	I have no connection.	4:32
	I just disassociate myself from this, however. (laughs)	4:33
	That's great. It's so immodest, too, you know?	4:39
	Tell me about it.	4:43
	It's like standing up and saying,	4:44
	"I'm the best. I'm the best."	4:46
	Here, I'll prove it. I'm doing something stupid.	4:48
	The best lack all conviction,	4:52
	while the worst are full of passionate intensity.	4:54
	It's not even shady here.	4:56
	You wrote it.	4:57
	I just disassociate myself from it.	4:58
	That's great.	5:01
	♪ Surely some revelation is at hand ♪	5:04
	♪ Surely some revelation is at hand ♪	5:07
	♪ Surely some revelation is at hand ♪	5:10
	♪ Surely some revelation is at hand ♪	5:13
-	It doesn't matter.	5:18
	♪ The second coming ♪	5:19
	♪ The greatest visible sacred power ♪	5:23
	♪ Among us is still example ♪	5:25
	♪ To behold in another realization of our ideals ♪	5:27
	♪ Are what we reach for our ideals ♪	5:30
	♪ Is what impresses us most ♪	5:33
	♪ The teacher that the age wants is a living example ♪	5:37
	♪ Of what one may become ♪	5:42
	♪ It is in the power of the lived or experience truth ♪	5:46
	♪ That we look for not the mere utterance ♪	5:50
	♪ Of the truth, see it recurred ♪	5:54
-	You know what he was writing about?	6:04
-	Who?	6:06
-	Meher Baba. (laughs)	6:07
	I sneaked it in.	6:09
	I have a big old thing right there	6:13
	if you wanted to do that.	6:15
-	Where is it?	6:17
-	They cut it out.	6:18
-	Meher Baba. It's right there in the-	7:02
-	Yeah, blatantly.	7:05
	Well, nobody commented on it though.	7:10
	Very discreetly. Homer didn't say anything.	7:13
	So what next?	7:19
-	We wore the revelation with Beatles.	7:22
-	I just made that up. (laughs)	7:25
	I didn't know whether they're still doing or not.	7:30
	What do you wanna do about this, Rodney? Seriously.	7:36
-	Well, well.	7:41
	I don't know. It's such a drag.	7:52
	Out there it grabs me.	7:55
	♪ Turning, turning ♪	7:57
	Get up there.
	It'll sound like it does on the tape.	8:00
	It'll sound worse when you're in front of people.	8:02
-	All we can do it tape it to	8:05
	in the PA system.	8:07
	We've gotta do it.	8:17
	What does it have to do?	8:18
-	Let's keep going, come on.	8:27
	Let's go.	8:29
-	All right.
-	All right. Do this over and over.	8:31
	All right?	8:35
	♪ Turn, turn ♪	8:37
	♪ Turning, turn ♪	8:42
	What is it?	8:44
	♪ Turning, turning ♪	8:45
	Is that right?	8:45
	♪ Turning, turning, turning, turning. ♪	8:46
	Okay.	8:49
-	Go ahead.	8:52
	♪ Turning, turning in the widening gyre. ♪	8:53
	I still don't now the center of the,	8:59
	♪ Turning, turning in the widening gyre ♪	9:02
	♪ The falcon cannot hear the falconer ♪	9:09
	♪ Things fall apart, the center cannot hold ♪	9:16
	♪ Mere anarchy is loosed upon the world ♪	9:24
	♪ The blood-dimmed tide is loosed ♪	9:35
	♪ Ooh, ooh ♪	9:48
	♪ Ooh ♪	9:53
	I thought that was pretty good.	9:57
	Let me see what I can do as well. (clears throat)	9:59
	♪ Turning, turn ♪	10:04
	Wait.	10:06
	♪ Turning, turning in the widening gyre ♪	10:07
	♪ The falcon cannot hear the falconer ♪	10:13
	♪ Things fall apart, the center cannot hold ♪	10:20
	♪ Mere anarchy is loosed upon the world ♪	10:26
	♪ The blood-dimmed tide is loosed ♪	10:32
	What is it?	10:38
	♪ The blood-dimmed tide is loosed ♪	10:39
-	That's good.	10:45
	♪ And everywhere, the ceremony of innocence is drowned ♪	10:46
	I wanna go.	10:54
	♪ Ah, ah, ah ♪	10:55
	That's really cool.	10:56
	♪ Turning, turning in the widening gyre ♪	11:22
	♪ The falcon cannot hear the falconer ♪	11:28
	♪ Things fall apart, the center cannot hold ♪	11:35
	♪ Mere anarchy is loosed upon the world ♪	11:42
	♪ The blood-dimmed tide is loosed ♪	11:49
	♪ And everywhere the ceremony of innocence is drowned ♪	11:55
-	From the turning, turning?	12:10
-	Yep.	12:11
	♪ Turning, turning in the widening gyre ♪	12:13
	♪ The falcon cannot hear the falconer ♪	12:20
	♪ Things fall apart, the center cannot hold ♪	12:26
	♪ Mere anarchy is loosed upon the world ♪	12:33
	♪ The blood-dimmed tide is loosed ♪	12:41
	♪ And everywhere the ceremony of innocence is drowned ♪	12:46
	Okay, let's try again.	12:59
	Except you gotta blow your nose before you do this.	13:03
	♪ The ceremony of innocence is drowned ♪	13:07
	(laughs) Drowned? What do you say, drowned?	13:10
	What is ...	13:14
	♪ Turning, turning ♪	13:17
	Let do it.	13:19
	♪ Da, da, da, da ♪	13:22
	♪ Turning ♪	13:23
	It's right there.	13:24
	♪ Turn ♪
	♪ Turning, turning ♪	13:27
-	Wait for just a-	13:29
	♪ Turning, turning ♪	13:30
	♪ Turning, turning ♪	13:31
	♪ Turning, turning in the widening gyre ♪	13:34
	♪ The falcon cannot hear the falconer ♪	13:40
	♪ Things fall apart, the center cannot hold ♪	13:47
	♪ Mere anarchy is loosed upon the world ♪	13:54
	♪ The blood-dimmed tide is loosed ♪	14:01
	♪ And everywhere the ceremony of innocence is drowned ♪	14:07
-	And then what happens with the rest?	14:18
-	Okay, that's a good question.	14:21
-	Okay. Do that with that feeling. (indistinct)	14:25
-	All right, is there any guitar all the way through?	14:30
-	The best light of our conviction.	14:33
	Let see how it would sound if I just-	14:36
	♪ Ceremony of innocence is drowned ♪	14:38
-	Can I step up to the line and say,	14:41
	well, let's do it.	14:44
	Let's do it. Get down and I'll do it, and then we'll do it.	14:47
	♪ And everywhere ♪	14:50
	No, from the top.	14:51
	♪ Turn ♪	14:55
	Depending on my voice what it will do right there.	14:57
	♪ Turn, turn, turn ♪	14:59
	Okay.	15:02
	♪ Turning, turning ♪	15:06
	Uh-uh, we're not-	15:08
	♪ Turning, turn ♪	15:10
	What happened?	15:12
-	I was off.
	♪ Turn, turn, turn ♪	15:13
	♪ Turning, turning ♪	15:16
-	Wait a minute.	15:18
	We were off again.	15:20
	♪ Turn ♪	15:21
	That's what we're gonna have to do is establish	15:22
	in it before and that will determine what we do.	15:23
	♪ Turn, turn ♪	15:25
	♪ Turning ♪	15:28
-	Wow, that's pretty good.	15:30
	♪ Turn ♪	15:31
	I don't even know what it was.	15:32
-	All right, hop to it.	15:32
	You do the first one, and I'll join you after the first one.	15:35
-	Okay.	15:39
-	It's a cop out,
	but what the hell?	15:40
-	♪ Turning, turning ♪	15:42
	That sounds better	15:45
	♪ In ♪	15:46
	♪ Turning, turning in the widening gyre ♪	15:47
	♪ The falcon cannot hear the falconer ♪	15:54
	♪ Things fall apart, the center cannot hold ♪	16:01
	♪ Mere anarchy is loosed upon the world ♪	16:09
	♪ The blood-dimmed tide is loosed ♪	16:16
	♪ And everywhere the ceremony of innocence is drowned ♪	16:22
-	The best lack all conviction	16:33
	while the worst are full of passionate intensity.	16:35
	Have you ever broken your glasses before?	16:54
-	Before what?	16:57
-	Just before.	17:00
-	Yeah.	17:06
-	Okay.	17:10
	♪ The blood-dimmed tide is loosed ♪	17:12
-	We'll start yours at revelation.	17:31
	(Rodney humming quietly)	17:35
-	That sun on it really looks great.	17:38
	Somehow that's a little too cha, isn't it.	17:41
	♪ Surely, some revelation is at, ♪	17:43
	♪ Cha, cha, cha, cha, cha, cha ♪	17:44
	You know?	17:47
	♪ Surely, some revelation ♪	17:49
-	No, I think it's good because it picks up	17:51
	and surely some revelation is at hand and it's exciting.	17:54
	You have a revelation.	17:57
-	We should do it.	17:59
	Try it in your monitor.	18:00
	♪ Surely some revelation ♪	18:02
	♪ Surely some revelation is at hand ♪	18:03
-	Try that and see if it fits.	18:10
	(writers humming)	18:13
	You sing that.	18:25
-	That sounds better. We'll do it in chords.	18:28
	(humming pitches) Here she goes.	18:29
	♪ Surely some revelation is at hand ♪	18:32
	That's good.	18:37
	Surely some revelation is the hand. Surely.	18:41
-	Surely, try it again.	18:45
	♪ Surely some revelation is at hand ♪	18:47
	Third and fourth.	18:52
	♪ Surely ♪
	♪ And everywhere the ceremony of innocence is drowned ♪	18:57
	♪ Surely some ♪	19:02
	♪ Surely, surely some revelation is at hand ♪	19:08
	♪ Surely the second ♪	19:15
	No, I got it. And we'll go up.	19:16
	Now I go	19:17
	♪ Sure ♪	19:18
	And you stay on	19:19
	♪ Hand ♪	19:20
	The note you sang hand on. You stay on hand.	19:21
-	Okay.	19:23
-	Okay.
	♪ Surely some ♪	19:24
	Wait.	19:25
	♪ Sure, sure the revelation is at hand ♪	19:26
	Then you go	19:31
	♪ Surely the second hand ♪	19:32
-	Okay, okay.
	♪ Surely some ♪	19:34
-	What you doing?	19:37
	(writers humming)	19:38
	♪ I got it. ♪	19:41
	♪ Innocence is drowned ♪	19:44
-	Let's take a long the	19:46
	♪ Sure ♪	19:47
-	Yeah.
	♪ Surely some revelation is at hand ♪	19:49
	I'm sorry.	19:53
	♪ Surely some revelation is at hand ♪	19:54
	♪ Surely the second coming is at hand ♪	19:58
	♪ The second ♪	20:04
-	Yeah, hit the discord.	20:07
	♪ The second coming ♪	20:09
	♪ The second, the second coming ♪	20:12
	Let's do that.	20:20
	♪ The second coming ♪	20:23
-	What is it? When he was young, what?	20:28
-	I've lost it.	20:30
	♪ Sure, surely some revelation is at hand ♪	20:31
	♪ Surely some revelation is at hand ♪	20:38
	♪ Surely the second coming is at hand ♪	20:44
	♪ The ♪	20:49
	No.	20:51
	♪ The ♪	20:52
	No, I wanna hear the discord there.	20:54
	The second.	20:57
-	What are you gonna sing?
-	And then this chord.	20:58
	♪ The second coming ♪	20:59
	What are you gotta do?	21:01
	♪ And the second coming ♪	21:02
	I think I nailed it. (laughs)	21:08
	The second should be a total discord.	21:10
	There you go, yeah.	21:12
-	Delightful.	21:15
	The second.	21:16
-	What does he say?	21:17
	(Rodney humming)
	Second note.	21:19
-	Second note.
	♪ The ♪	21:21
-	That's beautiful.	21:23
	Maybe even the second coming.	21:25
	I bet you probably resolve.	21:27
	I don't know if we ever do it too short,	21:32
	but I think it's gonna stay.	21:34
-	Where?	21:38
-	Let's try it from the second coming.	21:40
	♪ Sure, surely the second coming is at ♪	21:41
-	It wants to resolve.	21:45
-	Okay. Let's start from the top, then.	21:46
	♪ Sure. ♪	21:50
	Oh yeah.	21:56
	♪ Surely some revelation is at hand ♪	21:58
	♪ Surely the second coming is at hand ♪	22:03
	♪ The second coming ♪	22:08
	♪ The second coming ♪	22:14
	♪ The second ♪	22:18
-	What's your part?	22:20
	♪ The second coming ♪	22:23
-	That's yours?	22:29
-	I suppose 'cause I can't go too much higher.	22:30
	♪ The second coming ♪	22:32
	♪ The second coming ♪	22:35
	Do it again.	22:39
	♪ The second coming ♪	22:40
-	No, not together.	22:44
	♪ The second coming ♪	22:47
	No, that's not the coming it should be.	22:52
-	Okay.	22:57
	♪ Coming. ♪
-	Do it again.	23:00
	♪ The second coming, coming ♪	23:01
	♪ Second come, second coming ♪	23:05
	Okay, do it again.	23:08
	Do it again, I got it. I got it.	23:10
	Do it.	23:13
	♪ The second coming ♪	23:14
-	Yeah, I know that's the major,	23:20
	but somehow it sounds like you didn't make it.	23:21
	I don't know why, but...	23:25
	♪ Coming, coming ♪	23:28
	I think that might be better.	23:39
-	Okay. (humming pitches)	23:40
-	(humming pitches) That's the major.	23:46
-	The major. Good.	23:53
-	Well, we're almost through it.	23:59
	We're almost.	24:03
-	Hm?
-	We're almost through it.	24:04
	Let's start from the ceremony 'cause I don't have you.	24:08
	♪ And everywhere the ceremony of innocence is drowned ♪	24:13
	♪ Surely the second, I'm sure that's the right one ♪	24:17
-	Okay, I think about how I always memorize fourths	24:22
	it's because of the beginning of "Solas."	24:26
	(humming) The fourth, the first.	24:27
-	That's good.	24:32
	♪ Surely some revelation is at hand ♪	24:36
	♪ Surely the second coming is at hand ♪	24:42
	♪ The second coming ♪	24:46
	What happened?	24:52
-	I don't know what you say.	24:53
-	(humming) That's your note.	24:55
	(writers humming)	24:59
	♪ Coming ♪	25:02
	♪ The second coming ♪	25:05
-	Okay, let's do the second coming.	25:06
-	I gotta go through it again.	25:09
	♪ Surely some revelation ♪	25:15
	(humming pitches)	25:18
	Okay. Good.
	♪ Surely some ♪	25:21
	♪ Surely some revelation is at hand ♪	25:26
	♪ Surely second coming is at hand ♪	25:31
	♪ The second coming ♪	25:36
	♪ Coming ♪	25:43
-	It sounds weak.	25:46
	That's namby pamby.	25:49
	(humming) Makes some namby pamby singers,	25:51
	I don't know why.	25:54
-	Surely.	25:55
-	We have all three parts going in there.	25:56
	Sorry, if it's too hard.	26:01
	♪ Second coming ♪
-	Oh dear, I was walking away from you.	26:05
	(speaking quietly) something from the Sufi.	26:10
	Okay, let's not get hung up.	26:16
	♪ Surely some revelation is at hand ♪	26:22
	♪ Surely some revelation, some ♪	26:27
	♪ Surely ♪	26:35
	♪ The second coming ♪	26:47
	I'm gonna repeat the same note.	26:47
-	Keep it chromatic.	26:48
	There's something chromatic about the way we're doing it.	26:49
-	Okay. Okay.	26:52
-	Now just get soft, we don't have to worry	26:53
	and sing whatever.	26:54
	♪ And everywhere the ceremony of innocence is drowned ♪	26:57
	♪ Is drowned, da, da, da, da, da, da ♪	27:04
	♪ And everywhere the ceremony of innocence is drowned ♪	27:08
	(writers humming)	27:14
-	That's my note.	27:17
	♪ Is drowned ♪	27:20
	♪ And everywhere the ceremony of innocence is drowned ♪	27:22
	It's much too high. I'm not singing that.	27:26
	♪ And everywhere the ceremony of innocence is drowned ♪	27:28
	Cut there real fast.	27:30
	Cut through there real fast.	27:33
	♪ Turning, turning through the widening gyre ♪	27:34
	♪ The falcon cannot hear the falconer ♪	27:38
	♪ The falconer, things fall apart ♪	27:40
	♪ The center ♪	27:44
	♪ The falcon cannot hear the falconer ♪	27:47
	♪ Things fall apart, the center cannot hold ♪	27:50
	♪ Mere anarchy is loosed upon the world ♪	27:54
	♪ The blood-dimmed tide ♪	28:00
	What are these, grace notes? No.	28:02
	♪ The blood-dimmed tide ♪	28:04
	♪ The blood-dimmed tide is loosed ♪	28:06
	♪ And everywhere the ceremony of innocence is drowned ♪	28:10
	♪ Surely some revelation is at hand ♪	28:19
	♪ Surely the second coming is at hand ♪	28:23
	♪ Is at hand ♪	28:28
-	That's yours, sorry.	28:29
	♪ Surely some revelation is at hand ♪	28:30
	♪ Surely the second coming is at hand ♪	28:35
	♪ The second coming ♪	28:40
-	Wait.	28:42
	♪ The second, the second ♪	28:43
	♪ The second coming ♪	28:47
	♪ The second coming ♪	28:52
	♪ The second coming ♪	28:57
	♪ Coming ♪	29:00
-	Try that.	29:04
	♪ Coming, coming ♪	29:06
	That's very good.	29:09
	♪ Coming ♪	29:11
	Start it, and I will come in.	29:12
	♪ Coming ♪	29:14
	♪ Come in ♪	29:18
	I know.	29:19
	Can you imagine what the Beatles must experience?	29:23
-	"Sergeant Pepper" must be incredible.	29:30
	(Bret speaking quietly)	29:34
-	Okay, we're hung up on the second coming.	29:41
	♪ The second coming ♪	29:45
-	Drilling and drilling and drilling.	29:48
	That's fine. Let's do it again.	29:50
-	The second coming. (giggles)	29:51
	Hey.	29:57
-	It just sounds weird.	30:03
	♪ Surely the second coming is at hand ♪	30:04
	♪ Surely the second coming is at hand ♪	30:08
	♪ The second coming ♪	30:10
	♪ The second coming ♪	30:12
	♪ The second coming ♪	30:17
-	No, I like-	30:20
	♪ The second coming ♪	30:21
-	Oh, yeah. Okay.	30:24
-	But wait, does that say the second coming?	30:25
	♪ The second coming ♪	30:28
	Yeah.	30:30
-	Okay.
	♪ The second coming ♪	30:31
	♪ The second coming, doo, doo, doo, doo ♪	30:34
	♪ Second, the second coming ♪	30:37
	♪ The second coming ♪	30:45
-	The funny thing is if we did make a record of it	30:50
	and it sold, it could win in 10 months	30:52
	what we have in all of the TV.	30:55
	Anita Bryant would be doing it, you know?	30:56
	Andy Williams.	31:01
	Sammy D. (snapping fingers)	31:04
-	That would be Andy Williams singing the Beatles.	31:07
	We get that for a little bit of swing.	31:09
-	Andy, yeah. Put it out.	31:11
	Well Samuel Davis Jr.	31:14
	♪ The second coming (laughs) ♪	31:16
	He's pure ego, solid ego.	31:22
	He uses his talent to portray his ego	31:25
	rather than the other way around,	31:27
	which is using his ego to portray,	31:29
	well, okay.	31:31
	♪ The second coming ♪	31:35
	What kind of an ego would you have to have	31:37
	to do a show where you went from one thing to another,	31:38
	you danced for about 10 seconds,	31:42
	you run over to the drums	31:44
	and play (indistinct) general for 10 seconds.	31:44
	Got up sang for 10 seconds	31:46
	went over and led the band for 10 seconds.	31:48
	Did a commercial. (laughs)	31:50
	That's all you're doing.	31:53
	You're just trying to prove your talent.	31:54
	You're not trying to entertain nowhere decent.	31:56
	Okay.	31:59
-	It's all right.	32:06
-	How much fun do you think?	32:07
	You would enjoy-	32:08
-	It was covered with.
	They find us sitting here amidst the phone.	32:11
	(both laughing)	32:14
-	The second coming.	32:15
	The second. (laughs)	32:17

	(too far from mic)	0:04
-	The second coming, second.	0:05
	The second coming.	0:08
	(too far from mic)	0:11
-	Okay, fine.	0:13
	(too far from mic)	0:14
	But yeah, but I'll be here too.	0:16
	Is that right?	0:17
	Okay fine.	0:20
-	Okay.	0:24
	Listen also, when you sing, sometimes.	0:28
	Can we send one test.	0:40
	Yeah like that.	0:47
	♪ Turning, turning in the widening gyre. ♪	0:56
	♪ The thousand cannot hear ♪	1:02
	♪ The falconer sings for the part ♪	1:06
	♪ The sender cannot hold ♪	1:12
	♪ Mere anarchy is loose upon the world ♪	1:16
	♪ The blood dim tide is loose ♪	1:23
	♪ And everywhere, and everywhere ♪	1:30
	♪ The blood is sided loose ♪	1:36
	♪ And everywhere the ceremony of innocence is drawn ♪	1:38
	(too far from mic)	1:47
	♪ True revelation is at hand ♪	1:58
	♪ Surely the second coming is at hand ♪	2:02
	♪ The second coming ♪	2:08
	♪ The second coming ♪	2:11
	♪ True revelation is at hand ♪	2:17
	♪ Surely the second coming is at hand ♪	2:26
	♪ The second coming ♪	2:35
-	And then you had a hard parallel (too far from mic).	2:39
	♪ The second coming ♪	2:44
-	That doesn't sound very good.	2:49
	The whole thing sounds terrible.	2:52
	♪ The second coming ♪	2:56
	No, that sounds terrible.	3:00
	No offense.	3:02
	Do it again,	3:03
	♪ The second coming ♪	3:04
	That sounds woeful.	3:07
	Can you come up above me?	3:09
	No, I mean, start below and come up through the moon.	3:13
	♪ The ♪	3:17
	♪ The second coming ♪	3:21
	No, do it all over.	3:24
	♪ The second coming ♪	3:28
	Okay, read.	3:32
	♪ The second coming ♪	3:34
	♪ The second coming ♪	3:39
	♪ The second ♪	3:43
	♪ The second coming ♪	3:46
	♪ The second coming ♪	3:51
	♪ The second coming ♪	3:53
	No, that's terrible.	3:56
	(too far from mic)	4:00
	♪ The second coming ♪	4:04
	♪ The second coming ♪	4:08
-	How about doing it at?	4:10
-	Do it in regular harmony.	4:11
-	How about if we say the second coming all in one line?	4:13
	And then the whole thing be a strange harmony.	4:16
-	Sing it three or four times or what?	4:21
-	Yeah say it one time,	4:23
	the second coming, then have the (too far from mic).	4:24
-	That's what we're doing, right?	4:30
-	No we're going da, da.	4:32
	(too far from mic)	4:33
	♪ The second coming ♪	4:35
	♪ The second coming ♪	4:38
-	Nah, that's a dumb idea.	4:46
-	Oh wow, I don't know what to do with it.	4:52
-	The second coming.	4:58
-	Okay, let's see.	5:07
	This is gonna be--	5:10
-	The second coming.	5:12
	(too far from mic)	5:13
-	How about this?	5:26
	♪ The second coming ♪	5:27
-	If I'm recalling.	5:32
-	Or just a confession.	5:34
-	Call to confession.	5:36
	(too far from mic)	5:38
-	You don't want to play anything except confession Jim.	5:59
-	I don't care.	6:04
	(too far from mic)	6:07
-	That's just what's written our thing.	6:16
	But this we're putting	6:18
	in here is not the call to confession.	6:19
-	What's it called?	6:22
-	What we're putting in here is the confession	6:23
	which she does call.	6:24
	(too far from mic)	6:25
	Okay so you want me to put the confession.	6:29
-	That's one of the horrible things we've done.	6:33
	Confession of God	6:44
	just means confession of beggars and hookers.	6:46
-	Okay, that's fine.	6:48
	(too far from mic)	6:49
	I'm the desire.	6:51
-	I agree.	6:52
-	Okay.	6:54
-	I just remember one.	6:57
	♪ The second coming ♪	6:58
	♪ The second coming ♪	7:00
-	Sing it Tambaline.	7:02
	It's been done.	7:03
	It's been done.	7:06
-	It's already done.	7:08
-	What?	7:11
-	It's already done.
-	Okay.	7:14
-	Hey, do you remember this golden oldie?	7:15
	♪ The second coming ♪	7:18
	(too far from mic)	7:21
	♪ Troubles my side ♪	7:30
	♪ The second coming ♪	7:35
	♪ The second coming ♪	7:40
	♪ Well I want the second coming, baby ♪	7:45
	♪ Suitcase in my hand ♪	7:47
-	They come around the second time here.	7:50
-	Snap out of it.	7:53
-	The second coming, here we go.	7:54
	One more time.	7:56
-	One more time, turning, turning.	8:00
-	Oh wow.	8:05
	We were gonna do that originally, right.	8:06
	The second coming.	8:10
	The second coming.	8:15
-	Give me a second, and say it again.	8:21
	Say that.	8:23
-	The second.	8:24
	That's great.	8:27
-	That's great.	8:31
	Why don't we try to say it.	8:33
-	We're gonna have to.	8:36
-	Take hours and hours.	8:36
-	Okay, you say it,	8:38
	and then I'll say the rest.	8:39
-	Okay.	8:42
-	But you better say it damn good, Mike.	8:43
-	The second coming.	8:46
-	Second coming.	8:49
-	It's already happened once.
-	Kind of a one good thing.	8:52
	(men laughing)	8:54
-	Got to be the more original.	8:56
-	2,000 years.	8:58
	All right.	9:04
-	For.	9:07
-	Great, use it.	9:08
	Okay, let's try it.	9:10
-	From here.	9:13
-	Yeah.	9:16
-	Surely, some.	9:17
	♪ Surely some revelation is at hand ♪	9:20
	♪ Surely the second coming is at hand ♪	9:24
-	The second coming	9:29
-	You know what we're doing.	9:31
-	Kind of like you found it in the dictionary.	9:37
	Oh, the second coming.	9:38
-	Wasn't like that at all.	9:41
	The second coming.	9:44
-	Second coming.	9:47
-	The second coming.	9:55
	No need to get fanatic.	10:00
	That'd be get excited.	10:03
	The second coming.	10:06
	Gee I don't know.	10:09
	It's really exciting.	10:11
	It should be exciting.	10:13
-	Okay then really build it up again through here.	10:15
	♪ Surely some revelation is ♪	10:22
	♪ Surely some revelation is at hand ♪	10:25
	♪ Surely the second coming is at hand ♪	10:29
-	The second coming.	10:33
-	Why don't you play Vonnoy and read it?	10:40
-	Is that gonna sound all right?	10:45
	Is that working out (too far from mic).	10:47
-	She doesn't know.	10:52
	She's in the church bag.	10:53
-	I am.	10:55
-	Okay.	10:56
	That is a yes to me and not him.	10:58
	♪ Surely the second coming is at hand ♪	11:07
	♪ The second coming ♪	11:11
-	How was that?	11:13
-	No, just keep going again.	11:16
	Okay do it again.	11:20
	You keep going.	11:21
	♪ Surely some revelation ♪	11:27
	♪ Surely some revelation is at hand ♪	11:37
	♪ Surely the second coming is at hand ♪	11:41
-	The rest of the note, you pick up my note.	11:45
-	We did.	11:47
	♪ Surely some revelation ♪	11:53
	♪ Surely some revelation is at hand ♪	11:56
	♪ Surely the second coming is at hand ♪	12:01
	♪ The second coming ♪	12:05
-	That's not bad.	12:09
	Yeah, right and you just keep following me right up.	12:10
-	Well then what's your part here?	12:14
	You go surely some revelation is at hand.	12:16
	Surely some revelation is at hand, is that right?	12:19
	♪ The second coming ♪	12:21
-	Okay, you do your part.	12:25
-	Okay.
	♪ Surely some revelation is at hand ♪	12:33
	♪ Surely the second coming is at hand ♪	12:37
	♪ The second coming ♪	12:42
-	No, you're missing notes.	12:44
-	No.	12:45
	You're going up more than one note.	12:47
-	You picked my note each time.	12:52
	Don't you?	12:53
-	No, I go, surely some revelation is at hand.	12:54
	Surely the second coming is at hand.	12:59
	No I don't.	13:01
	No I do it like this here.	13:03
	Do it again.	13:04
	No, we're doing it wrong.	13:05
-	Wait a minute.	13:16
-	Check me, go ahead, check me.	13:27
-	Well, whatever you want, Kev.	13:30
-	It's not that important, Jeff.	13:33
	After the guy gets real excited, then you put him down.	13:35
	It's not that important.	13:38
	I mean, to me.	13:40
-	What?	13:43
-	Just seem like you like all conviction.	13:47
-	If I thought about it,	13:53
	I imagine I'd agree with you, perhaps.	13:54
-	Okay, let's go.	14:00
	♪ Surely some revelation is at hand ♪	14:06
	♪ Surely the second ♪	14:11
-	All right.	14:12
	I thought you came up with me on hand.	14:14
-	No.	14:17
	The fourth, the fifths on hand.	14:19
	Then I come up on the next one	14:21
	to make that, and you stay on your fifth.	14:22
	Then I come up to make it a fourth.	14:24
-	Okay, but you get my note.	14:26
	♪ Surely some revelation is at hand ♪	14:37
	♪ Surely some revelation is at hand ♪	14:41
	♪ Surely some revelation is at hand ♪	14:44
	♪ Surely the second coming is at hand ♪	14:49
	♪ The second coming ♪	14:53
-	No, the higher.	14:55
-	No, I go up one step each time.	14:56
-	Well that's not high enough is what I'm saying.	14:58
-	Sorry, that's all I can do.	15:01
-	I can't do any more than just try my best.	15:04
	If that's not good enough, then.	15:08
-	Jeff, what do you say we just.	15:12
-	Bag it.	15:14
	Yeah, why don't we just...	15:17
	Throw away the pawn to tip the table	15:22
	further over to bag nasty to sing another song.	15:24
-	Okay.	15:33
	♪ Surely ♪	15:34
	♪ Surely some revelation is at hand ♪	15:39
	♪ Surely the second coming is at hand ♪	15:43
	♪ The second coming ♪	15:48
-	That's good.	15:51
	Okay.	15:56
-	You've been fooling me all this time.	16:05
	I thought you were my brother.	16:06
	You were from the outside.	16:10
-	All men are brothers.	16:11
-	Yeah only our chapter.	16:13
-	Okay, let's go.	16:18
	Now what?	16:21
	That's pretty mature.	16:24
	But then so was I.	16:26
-	I think we ought to do the rest by ear.	16:28
	(too far from mic)	16:31
	If we do it now, we wouldn't change at the end.	16:34
	If we let it ride free, we'll be able	16:36
	to adjust it according to the temperament of the audience.	16:38
	That's what true artists would do.	16:42
	So I think if we don't impose a structure	16:45
	on it, now we can sense the mood.	16:46
	We don't really understand.	16:49
-	They gave us the words in the tanning bit.	16:51
	They wouldn't want to.	16:53
	Why do I think it's a beautiful day.	16:57
	(loudly whistling)	17:03
	(man screaming)	17:06
	Okay, how about...	17:16
-	What?	17:24
	Can you do a rubber check?	17:28
-	Give me that thing.	17:36
	Don't you play with that thing.	17:39
	(too far from mic)	17:42
	No, of course not.	17:45
	All right.	17:54
	(too far from mic)	18:05
	Yeah I was going to find 50.	18:12
	I was going to make me post bond for $50.	18:13
-	What?	18:18
-	The policeman.	18:19
-	He was going to put you in jail?	18:21
-	No he was going to make me post bond or go to jail.	18:22
-	I was going to bail.	18:27
-	You didn't have the $50.	18:29
-	50.	18:31
-	50, post bond.	18:32
	But I agree with him about (too far from mic).	18:37
-	Did he really say those things about the hippie pad	18:46
	and curfew and all?	18:48
-	Yes.	18:52
	He tried to call me from some information about marijuana.	18:53
	I'm not kidding you.	18:57
	I mean, he did it in a very nice way.	18:59
	Hey what is it?	19:03
	How do you think that marijuana stuff works?	19:04
	I was supposed to go, oh wow, it's very simple.	19:07
	You see you roll a joint.	19:09
-	See the stuff comes in from a, then it goes to some--	19:11
-	I mean, we had about five people last year.	19:15
	(too far from mic)	19:18
-	Could be in a black Volkswagen.	19:20
-	That would've been great.	19:21
-	After you complain for half an hour.	19:26
-	Pretend I didn't say that.	19:27
-	You tricked me.	19:28
-	You must've had advance training in search.	19:33
-	No, no I ain't had no training.	19:36
	Well, gosh that's awfully good officer.	19:39
-	Well here I've got some in my car right here.	19:42
	(too far from mic)	19:44
	Well okay.	19:50
-	You should've asked him,	19:53
	hey how does this police brutality work anyway.	19:54
	How do you beat up people and not let it be known?	19:56
-	He told me that if I was caught	20:00
	out during a curfew, that I would be arrested, hauled off	20:03
	to jail, and brutally searched, his exact words.	20:09
	He was a nice fellow too.	20:16
	Just imagine what they'll do.	20:18
	Look, let's get this thing done,	20:30
	'cause I want to go.	20:31
-	Yeah, sing it to me, sing it to me Hal.	20:38
	Sing it to me.	20:40
-	No you start up high.	20:44
	♪ Daisy, Daisy, Daisy ♪	20:46
	(man humming)	20:56
-	Good afternoon gentlemen.	21:12
-	That was a great movie.	21:16
-	All right, let's do the turn it.	21:18
	Then you start into the first tune, right.	21:20
	You start into the first tune while	21:30
	I go hard into the chords out	21:31
	and a vast imagetta scrusishe Wendy troubles my site.	21:33
-	Oh yeah.	21:37
-	Let's try it.	21:39
	(too far from mic)	21:43
	Where's your mother?	21:48
	♪ Slouches towards Bethlehem ♪	21:52
	♪ To be born ♪	21:56
	♪ Born ♪	22:01
	♪ Born ♪	22:03
	♪ To be born ♪	22:07
	♪ Slouches ♪	22:08
-	Do it again	22:09
	♪ Slouches toward Bethlehem to be born ♪	22:11
	♪ Slouches towards Bethlehem to be born ♪	22:22
	♪ Slouches towards Bethlehem to be born ♪	22:33
-	Hold at the end.	22:43
-	I may not be able to do that.	22:45
-	Why?	22:46
-	Born.	22:47
	I mean, I'll try.	22:50
	Born.	22:51
	Born.	22:52
	Born.	22:53
	♪ Slouches towards Bethlehem to be born ♪	22:56
	♪ Second coming ♪	23:08
	♪ Surely some revelation is at hand ♪	23:15
	♪ Surely the second coming is at hand ♪	23:20
	♪ The second coming ♪	23:25
	♪ Coming ♪	23:29
-	I don't know.	23:30
-	You're gonna hold that out.
-	Yeah.	23:31
-	Start over.	23:33
	♪ Surely some revelation is at hand ♪	23:39
	♪ Surely the second coming is at hand ♪	23:43
	♪ The second coming ♪	23:48
-	I don't know what my part is either.	23:52
	Where's the shoe.	24:06
-	I didn't have it.	24:07
-	No, here it is.	24:14
	♪ Turning, turning ♪	24:28
	♪ Turning, turning ♪	24:32
	(too far from mic)	24:35
-	Your turn old man.	24:44
	♪ Turning, turning ♪	24:48
	Oh God.	24:50
	Makes me want to sneeze, right, at certain note.	24:51
	♪ Turning, turning in the widening gyre ♪	25:03
	♪ The falcon cannot here the falconer ♪	25:10
	♪ Things fall apart ♪	25:17
	♪ The center cannot hold ♪	25:20
	♪ Mere anarchy is loosed upon the world ♪	25:24
	♪ The blood dimmed tide is loose ♪	25:32
	♪ And everywhere the ceremony of innocence is drowned ♪	25:38
-	The best lack all conviction	25:50
	or the worst are full of passionate intensity.	25:52
	♪ Surely some revelation is at hand ♪	25:58
	♪ Surely the second coming is at hand ♪	26:02
	♪ The second coming ♪	26:08
-	I just went in.	26:11
-	Go.
	Hardly on his words.	26:13
	Don't go (man humming).	26:15
	Go (man humming).	26:16
	Sounds stronger.	26:19
-	Yeah.
	Hardly are those words out	26:21
	but a vast image out of Spiritus Mundi troubles my site.	26:24
	Somewhere in sands of the desert a shape	26:29
	with lion body and the head of a man,	26:31
	a gaze blank and pitiless as the sun is moving	26:35
	its slow thighs while all	26:39
	about it reel shadows of indignant desert birds.	26:41
	The darkness drops again,	26:46
	but now I know that 20 centuries of stony sleep were vexed	26:48
	to nightmare by a rocking cradle.	26:53
	♪ And what brought the ♪	26:58
	Can we go down lower?	27:01
	♪ And what brought these desire come round at last and ♪	27:08
	♪ And what brought beast its hour come round ♪	27:15
	♪ And what brought beast its hour come round at last ♪	27:20
	♪ And what brought beast its hour come round at last ♪	27:27
	♪ Slouches towards Bethlehem to be born ♪	27:35
	♪ It's everywhere the ceremony of innocence is drowned ♪	27:44
-	The best lack all conviction	27:54
	while the worst are full of passionate intensity.	27:56
	♪ Surely the second revelation is at hand ♪	28:06
	♪ Surely the second coming is at hand ♪	28:09
	♪ The second coming ♪	28:14
	(too far from mic)	28:17
-	Turn this thing on.	28:26
	♪ Surely some revel ♪	28:29
	♪ Surely some revelation is at hand ♪	28:35
	♪ Surely the second coming is at hand ♪	28:39
	♪ The second coming ♪	28:43
-	Our day of his words caught in my mouth.	28:49
-	Check my mouth.	28:54
	(too far from mic)	28:58
	Hardly are those words out	29:01
	from a vast image out of Spiritus Mundi troubles my site,	29:02
	somewhere in sands of the desert a shape	29:07
	with lion body and the head of a man,	29:09
	a gaze blank and pitiless as the sun is moving	29:12
	its slow thighs while all	29:16
	about it reel shadows of indignant desert birds.	29:18
	The darkness drops again.	29:24
	Now I know that 20 centuries of stony sleep were vexed	29:26
	to nightmare by a rocking cradle.	29:31
	♪ And what brought beast ♪	29:34
	♪ Its hour come round at last ♪	29:38
	♪ Slouches toward Bethlehem to be born ♪	29:43
	♪ Innocent ♪	29:52
	♪ Beast come round at last ♪	29:59
-	Last line then we'll leave.	30:00
-	Okay well we won't sing the last line then.	30:02
-	Just leave then.	30:06
	♪ Come round at last ♪	30:09
	At last, everything's over.	30:11
	Jesus Christ, the person was such a pain.	30:12
-	They're so young.	30:17
	17 years old, that's four years difference.	30:19
-	They're 17?	30:23
-	17 or 18.	30:24
	The girls look so young.	30:28
	They look like children.	30:30
-	They should be protected.	30:34
-	We must keep them virgin.	30:37
	Virgins.	30:44
	Okay, okay.	30:48
	I shall protect them was (too far from mic).	30:51
	♪ And what brought these ♪	30:59
	What?	31:03
-	You must've loved your mother very deeply.	31:04
-	I loved her till she caught	31:10
	my big tail (too far from mic).	31:11
	Kept laughing.	31:14
	I mean, I wouldn't have minded it	31:15
	as much if she hadn't laughed.	31:16
	It must've caused me four toes.	31:20
	Six over the batter is not my idea of a good time.	31:22
-	What did she do with your toes?	31:26
-	I didn't go into that.	31:28
	♪ And what brought beast ♪	31:33
	♪ It told come round at last ♪	31:36
	♪ Slouches toward Bethlehem ♪	31:41
	You mean you want to change the notes, is what you mean.	31:45
-	Well, it sounds random the way we're doing it now.	31:47
	It's not really a harmony.	31:51
-	Oh, I like it.	31:54
-	Well listen to it.	31:55
-	Okay.	31:57
-	I'm gonna show you what it's like.	31:58
-	Okay, sing it with us.	31:59
	♪ Slouches toward Bethlehem ♪	32:01
	Okay.	32:07
	♪ Slouches toward Bethlehem ♪	32:09
-	Okay, do it again.	32:14
	♪ Slouches toward Bethlehem to be born ♪	32:16
-	I didn't do it right.	32:28
	♪ And what brought beast to town come round at last ♪	32:33
	♪ Slouches toward Bethlehem to be born ♪	32:36
-	I don't like mine now either.	32:44
	♪ To be, to be born ♪	32:46
-	Try again.	32:49
	♪ Slouches ♪	32:53
	♪ Slouches ♪	32:56
-	That was intentional.	32:59
	♪ Slouches ♪	33:02
-	That's still the wrong note.	33:04
	♪ Slouches ♪	33:07
	♪ Slouches toward Bethlehem to be ♪	33:10
	It's all right ma.	33:20
	♪ Slouches ♪	33:26
-	A weapon of truth.	33:29
-	You don't like the pause.	33:31
	Is that what you are seeing?	33:32
-	No I like to laugh.	33:34
	You like to laugh Jeff?	33:36
-	You laugh at this poem.	33:37
-	You like this poem slutty soldier.	33:39
	Do you think this poem's laughing at soldiers?	33:41
	You think it's funny soldier.	33:44
	Well I'll tell you what I'm gonna do.	33:45
-	Me and a thousand others like me thought it was funny.	33:48
-	I'll tell you what I'm gonna do smart ass soldier,	33:51
	with smart ass words.	33:54
	I'm going to let you eat this poem soldier.	33:56
	Come here platoon.	33:59
	Not you.	34:02
-	Why do you always shout?	34:03
-	Because it's the only way I can communicate.	34:05
-	Okay.	34:10
	♪ And what brought beast ♪	34:12
	♪ To town come round at last ♪	34:15
	♪ And ♪	34:17
	♪ And what ♪	34:18
	Do you mind if I do my line?	34:36
-	That's mine.	34:38
	Oh, yeah that's right, it's yours.	34:39
-	Well, I mean, if you want to do it, I mean.	34:42
	♪ And what brought beast ♪	34:48
	♪ To town come round at last ♪	34:51
	♪ To town come round at last ♪	34:57
	♪ Slouches ♪	35:00
	You won't let us sing there.	35:02
-	Oh fuck.	35:03
	♪ Slouches toward Bethlehem to be born ♪	35:05
	(upbeat music)	35:17
-	Stop, stop.	35:38
-	Oh give me that.	35:39
	Here.	35:40
-	Anyone.	35:50
-	She got the pick and everything.	35:56
-	Oh we made it.	36:08
	(too far from mic)	36:16
	(sad music)	36:19
	(too far from mic)	36:24
	It took us two hours to get those chords.	36:40
	It took us another hour to work out the picket.	36:42
	Should've been b flat girl.	36:45
	(women laugh)	36:46
	Yeah sure you do.	36:49
	Thanks, all right.	36:51
	Who said you could be on our vespers anyway?	36:56
	Don't fill out.	37:02
-	Return.	37:12
-	Go where, come where.
-	I love to do it.	37:18
-	Jeff, I'm in full agreement with you on this point.	37:21
-	Let me just say that in behalf of my entire organization,	37:28
	how much we have appreciated this opportunity	37:32
	to express our feelings and opinions in this.	37:34
-	Come in.	37:40
-	Mark Sims has just walked in.	37:43
-	Hi Barb.	37:45
-	Oh no.	37:47
-	She asked you, and thought you said,	37:49
	she asked if you were supposed to be,	37:50
	and you said yes.	37:51
-	I thought anybody knew that.	37:53
-	Yeah, and we just noticed it	37:54
	and realized that it should be the other.	37:56
	Just thought that you should know.	37:58
-	Let me do this first.	38:00
	Ladies.	38:02
-	Oh, well.	38:06
-	I'm going to ask.	38:07
	We're going to have to get pencils	38:09
	and ask each person to correct it.	38:11
-	Well you could go through.	38:15
-	Oh, wow.	38:17
-	Oh well.	38:29
-	Nancy.
-	Your religion has created it.	38:32
-	The essence isn't in the word anyway.	38:35
-	What?	38:38
	The word is God.	38:41
	You think Dr. Sullivan's going to do it now.	38:43
-	You're the one that told me to do that.	38:47
-	You liar.	38:48
	You liar.	38:50
	(too far from mic)	38:51
	♪ Turning, turning, in the widening gyre ♪	39:03
	♪ The falcon cannot hear the falconer ♪	39:08
	♪ Things fall apart ♪	39:15
	♪ The center cannot hold ♪	39:18
	Let's do it faster.	39:21
-	Yeah.	39:22
	♪ Turning, turning in the widening gyre ♪	39:24
	♪ The falcon cannot hear the falconer ♪	39:30
	♪ Things fall apart ♪	39:35
	♪ The center cannot hold ♪	39:38
	♪ Mere anarchy is loosed upon the world ♪	39:42
	♪ The blood dimmed tide is loose ♪	39:47
	♪ And everywhere the ceremony of innocence is drowned ♪	39:52
-	The best lack all conviction	40:02
	or the worst are full of passionate intensity.	40:04
	♪ Surely some revelation is at ♪	40:16
-	What?	40:19
-	I'm sorry.	40:20
-	That's how we used to do it originally, so.	40:22
	It's understandable.	40:25
	We won't dock you.	40:27
	♪ Surely some revelation is at hand ♪	40:34
	♪ Surely the second coming is at hand ♪	40:38
	♪ The second coming ♪	40:42
	Hardly those words out	40:47
	and a vast image appears before my sight.	40:49
	Somewhere in the sands of the desert	40:53
	a shape with lion body and the head (audio is choppy).	40:55
	The sun is moving its slow thighs while all	40:59
	about it reel shadows of indignant desert birds	41:03
	(audio is choppy) drop to kin.	41:08
	But now I know that 20 centuries of stony sleep were vexed	41:10
	to nightmare by a rocking cradle.	41:15
	♪ And what dropped beast ♪	41:21
	♪ To town come round at last ♪	41:23
	♪ Slouches toward Bethlehem to be born ♪	41:26
-	Send me a magic.	41:39
-	The fresh to vespers.	41:41
	I'd like to do what they're innocently.	41:42
-	I always liked it.	41:45
-	We'd like to do it all the way this time.	41:46
	(men laugh)	41:48
-	In the widening.	41:53
	We wide the gyre.	41:54
-	Come on baby, widen the gyre.	41:56
-	The popping cat.	41:59
-	Falconer.	42:02
-	The center cannot hold.	42:08
	What does Davis think about?	42:15
-	Is loose upon the world.	42:20
	♪ The blood dimmed tide is loosed. ♪	42:25
-	Oh shit.	42:32
-	It's okay.
	Now we're through, I think.	42:33
	This will be our last time	42:36
	to do it, before we actually perform it.	42:37
	Don't forget to do my note.	42:45
-	Turning.	42:46
	Let me do it that low.	42:48
	♪ Turning, turning in the widening gyre ♪	42:53
	♪ The falcon cannot hear the falconer ♪	42:57
	♪ Things fall apart ♪	43:02
	♪ The center cannot hold ♪	43:05
	♪ Mere anarchy is loosed upon the world ♪	43:08
	♪ The blood dimmed tide is loosed ♪	43:15
	♪ And everywhere the ceremony of innocence is drowned ♪	43:20
-	The best lack all conviction	43:28
	while the worst are full of passionate intensity.	43:30
	♪ Surely some revelation is at hand ♪	43:35
	♪ Surely the second coming is at hand ♪	43:39
	♪ The second coming ♪	43:43
	Hardly are those words out when a vast image	43:48
	out of Spiritus Mundi troubles my sight.	43:50
	Somewhere in sands of the desert	43:53
	a shape with lion body	43:55
	and the head of a man, a gaze blank	43:57
	and pitiless as the sun is moving its slow thighs while all	44:00
	about it reel shadows of indignant desert birds.	44:05
	The darkness drops again,	44:09
	but now I know that 20 centuries of stony sleep were vexed	44:11
	to nightmare by a rocking cradle.	44:17
	♪ And what rough beast ♪	44:22
	♪ Its hour come round at last ♪	44:24
	♪ Slouches toward Bethlehem to be born ♪	44:28
	♪ Turning, turning in the widening gyre ♪	44:37
	♪ The falcon cannot hear the falconer ♪	44:42
	♪ Things fall apart ♪	44:47
	♪ The center cannot hold ♪	44:49
	♪ Mere anarchy is loosed upon the world ♪	44:53
	♪ The blood dimmed tide is loosed ♪	44:58
	♪ And everywhere the ceremony of innocence is drowned ♪	45:02
-	Let's do it again.	45:08
	♪ Turning, turning in the widening gyre ♪	45:14
	♪ The falcon cannot hear the falconer ♪	45:19
	♪ Things fall apart ♪	45:24
	♪ The center cannot hold ♪	45:27
	♪ Mere anarchy is loosed upon the world ♪	45:31
	♪ The blood dimmed tide is loosed ♪	45:37
	♪ And everywhere the ceremony of innocence is drowned ♪	45:41
-	The best lack all conviction	45:50
	while the worst are full of passionate intensity.	45:52
	♪ Surely the second revelation is at hand ♪	45:58
	♪ Surely the second coming is at hand ♪	46:02
	♪ The second coming ♪	46:06
	Hardly are those words out when a vast image	46:12
	out of Spiritus Mundi troubles my sight.	46:14
	Somewhere in the sands of the desert	46:17
	a gaze of light and fearless as the sun is moving	46:19
	its slow thighs while all	46:23
	about it reel shadows of indignant desert birds.	46:25
	The darkness drops again,	46:29
	but now I know that 20 centuries of stony sleep were vexed	46:30
	to nightmare by a rocking cradle.	46:35
	♪ And what rough beast its hour come round at last ♪	46:39
	♪ Slouches toward Bethlehem to be born ♪	46:44
	♪ Turning, turning in the widening gyre ♪	47:03
	♪ The falcon cannot hear the falconer ♪	47:08
	♪ Things fall apart ♪	47:12
	♪ The center cannot hold ♪	47:15
	♪ Mere anarchy is loosed upon the world ♪	47:18
	♪ The blood dimmed tide is loosed ♪	47:24
	♪ And everywhere the ceremony of innocence is drowned ♪	47:29
	The best lack all conviction	47:38
	while the worst are full of passionate intensity.	47:39
	♪ Surely some revelation is at hand ♪	47:44
	♪ Surely the second coming is at hand ♪	47:48
	♪ The second coming ♪	47:52
	Hardly are those words out of my mouth	47:55
	when a vast image out of Spiritus Mundi troubles my sight.	47:58
	Somewhere in the sands of the desert	48:03
	a shape with lion body and the head of a man,	48:05
	a gaze blank and pitiless as the sun is moving	48:08
	its slow thighs while all	48:11
	about it reel shadows of indignant desert birds.	48:13
	The darkness drops again,	48:18
	but now I know that 20 centuries of stony sleep were vexed	48:20
	to nightmare by a rocking cradle.	48:24
	♪ And what rough beast its hour come round at last ♪	48:27
	♪ Slouches toward Bethlehem to be born ♪	48:32
	(too far from mic)	48:41
-	You heard it on another level?	48:51
-	No I don't want to talk about that because...	48:52
-	Okay.	48:58
	(too far from mic)	48:59
	They're acting us.	49:05
-	Okay, let's do it.	49:10
	(too far from mic)	49:14
-	Let's go Rocky.	49:41
-	Can you shut the door, 'cause somebody's.	49:45
	(man whistling loudly)	49:48
	Okay.	49:55
-	Lord I'm tired.	49:59
-	Me too.	50:00
	♪ Turning, turning in the widening gyre ♪	50:03
	♪ The falcon cannot hear the falconer ♪	50:10
	Your harmony starts with falconer.	50:16
	♪ The falconer ♪	50:18
	♪ Things fall apart ♪	50:22
	♪ The center cannot hold ♪	50:26
-	I think that's okay.	50:31
	We don't have time.	50:32
-	Okay.
	Do count out loud.	50:33
-	I just want to get something I can remember.	50:34
	That's all I need.	50:36
-	Do count it louder.	50:37
-	Okay.	50:39
	♪ The center cannot hold ♪	50:40
-	Give me a chance coach.	50:47
	♪ The falcon cannot hear the falconer ♪	50:50
	♪ Things fall, the falconer ♪	50:58
-	Okay.	51:03
	♪ Things fall apart ♪	51:06
	♪ The center cannot hold ♪	51:09
	♪ Mere anarchy is loosed ♪	51:14
	♪ Upon the world ♪	51:19
	Okay.	51:22
	♪ Mere anarchy is loosed upon the world ♪	51:24
-	Okay let's do this.	51:34
	♪ Anarchy is loosed upon the world ♪	51:36
-	That was terrible.	51:46
	Let's do it again.	51:48
-	Come over here for a minute please,	51:53
	if you would step over here please sir.	51:54
-	I'd be more than happy to oblige, abide and oblige.	51:57
-	Okay, let's do one note at a time.	52:01
	♪ Turning, turning in the widening gyre ♪	52:06
	♪ The falcon cannot hear the falconer ♪	52:14
	♪ Things fall apart ♪	52:20
	♪ The center cannot hold ♪	52:24
	♪ Mere anarchy is loosed upon the world ♪	52:29
	♪ The blood dimmed tide is loosed ♪	52:38
	♪ And everywhere the ceremony of innocence is drowned ♪	52:44
	♪ Turning, turning ♪	53:04
	(men laughing)	53:13
	(men laughing)	53:16
-	You can't fool me.	53:27
	♪ Turning, turning in the widening gyre ♪	53:30
	♪ The falcon cannot hear the falconer ♪	53:38
	♪ Things fall apart ♪	53:45
	♪ The center cannot hold ♪	53:49
	♪ Mere anarchy ♪	53:55
-	Okay.	53:58
	♪ Mere anarchy is loosed upon the world ♪	53:59
	Okay.	54:06
	♪ Mere anarchy is loosed upon the world ♪	54:08
-	Okay, just keep going.	54:15
	All we can do is keep going	54:17
	over and over until it's really.	54:18
-	Well let's do the whole thing then.	54:20
	♪ The blood dimmed tide is loosed ♪	54:23
	♪ And everywhere the ceremony of innocence is drowned ♪	54:30

Item Info

Title:

Howard C. Wilkinson - "Symbolic Speech" (August 4, 1968)

Permalink:

https://idn.duke.edu/ark:/87924/r4ff3r165

Date:

August 4, 1968

Speaker:

Wilkinson, Howard C.

Contributor:

Duke University. Chapel

Identifier:

UA.17.01.0003 RR-0444
ref6091_189
uachapelsermaud
duke:628397
dcrau002435
ark:/87924/r4ff3r165
92771200-fc95-4e53-8b14-ab6db9205f44

Digital Collection:

Duke Chapel Recordings

Source Collection:

Duke University Chapel recordings, 1954-2005

Related Resources:

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Language:

English

Location:

United States
North Carolina
Durham (N.C.)

Format:

Provenance:

The Duke University Chapel Recordings were transferred to the Duke University Archives beginning in 1970.

Rights:

Limited Re-Use

Educational Use Permitted

Rights Note:

This material is made available for educational and non-commercial use. This recording may contain 3rd party materials, such as music or readings that are therefore not covered by the license indicated here. Copyright in this material has not been transferred to Duke University. For other reuses of this material beyond those permitted by fair use or otherwise allowed under the Copyright Act, please see our page on copyright and citations https://library.duke.edu/rubenstein/research/citations-and-permissions.

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Howard C. Wilkinson - "Symbolic Speech" (August 4, 1968)

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1. Howard C. Wilkinson - "Symbolic Speech" (August 4, 1968)

Duke University Archives

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Howard C. Wilkinson - "Symbolic Speech" (August 4, 1968)

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Duke University Archives

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